InternBootcamp/internbootcamp/libs/data/train.tsv

1	sentence	label
2	hide new secretions from the parental units	0
3	contains no wit , only labored gags	0
4	that loves its characters and communicates something rather beautiful about human nature	1
5	remains utterly satisfied to remain the same throughout	0
6	on the worst revenge-of-the-nerds clichés the filmmakers could dredge up	0
7	that 's far too tragic to merit such superficial treatment	0
8	demonstrates that the director of such hollywood blockbusters as patriot games can still turn out a small , personal film with an emotional wallop .	1
9	of saucy	1
10	a depressed fifteen-year-old 's suicidal poetry	0
11	are more deeply thought through than in most ` right-thinking ' films	1
12	goes to absurd lengths	0
13	for those moviegoers who complain that ` they do n't make movies like they used to anymore	0
14	the part where nothing 's happening ,	0
15	saw how bad this movie was	0
16	lend some dignity to a dumb story	0
17	the greatest musicians	1
18	cold movie	0
19	with his usual intelligence and subtlety	1
20	redundant concept	0
21	swimming is above all about a young woman 's face , and by casting an actress whose face projects that woman 's doubts and yearnings , it succeeds .	1
22	equals the original and in some ways even betters it	1
23	if anything , see it for karen black , who camps up a storm as a fringe feminist conspiracy theorist named dirty dick .	1
24	a smile on your face	1
25	comes from the brave , uninhibited performances	1
26	excruciatingly unfunny and pitifully unromantic	0
27	enriched by an imaginatively mixed cast of antic spirits	1
28	which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening	0
29	in world cinema	1
30	very good viewing alternative	1
31	the plot is nothing but boilerplate clichés from start to finish ,	0
32	the action is stilted	0
33	on all cylinders	1
34	will find little of interest in this film , which is often preachy and poorly acted	0
35	by far the worst movie of the year	0
36	sit through ,	0
37	more than another `` best man '' clone by weaving a theme throughout this funny film	1
38	it 's about issues most adults have to face in marriage and i think that 's what i liked about it -- the real issues tucked between the silly and crude storyline	1
39	heroes	1
40	oblivious to the existence of this film	0
41	sharply	1
42	the entire point of a shaggy dog story , of course , is that it goes nowhere , and this is classic nowheresville in every sense .	0
43	sometimes dry	0
44	as they come , already having been recycled more times than i 'd care to count	0
45	covers this territory with wit and originality , suggesting that with his fourth feature	1
46	a $ 40 million version of a game	0
47	gorgeous and deceptively minimalist	1
48	cross swords with the best of them and	1
49	as a fringe feminist conspiracy theorist	0
50	proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film .	1
51	disappointments	0
52	the horrors	0
53	a muddle splashed with bloody beauty as vivid as any scorsese has ever given us .	1
54	many pointless	0
55	a beautifully	1
56	contrived , well-worn situations	0
57	a doa	0
58	poor ben bratt could n't find stardom if mapquest emailed him point-to-point driving directions .	0
59	to be as subtle and touching as the son 's room	1
60	starts with a legend	1
61	far less sophisticated and	0
62	rich veins of funny stuff in this movie	1
63	no apparent joy	0
64	shot on ugly digital video	0
65	... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for ? ''	0
66	though ford and neeson capably hold our interest , but its just not a thrilling movie	0
67	is pretty damned funny .	1
68	we never feel anything for these characters	0
69	's a lousy one at that	0
70	the corporate circus that is the recording industry in the current climate of mergers and downsizing	0
71	the storylines are woven together skilfully , the magnificent swooping aerial shots are breathtaking , and the overall experience is awesome .	1
72	of the most highly-praised disappointments i	0
73	sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a total lack of empathy .	0
74	seem fresh	1
75	to the dustbin of history	0
76	as a director , eastwood is off his game	0
77	pays earnest homage to turntablists	1
78	weak and	0
79	skip this dreck ,	0
80	contains very few laughs and even less surprises	0
81	film to affirm love 's power to help people endure almost unimaginable horror	1
82	are an absolute joy	1
83	generates	1
84	, like life , is n't much fun without the highs and lows	1
85	based on a true and historically significant story	1
86	well-rounded tribute	1
87	, though many of the actors throw off a spark or two when they first appear , they ca n't generate enough heat in this cold vacuum of a comedy to start a reaction .	0
88	so much like a young robert deniro	1
89	khouri manages , with terrific flair , to keep the extremes of screwball farce and blood-curdling family intensity on one continuum .	1
90	fashioning an engrossing entertainment out	1
91	spiffy animated feature	1
92	that 's so sloppily written and cast that you can not believe anyone more central to the creation of bugsy than the caterer	0
93	alternating between facetious comic parody and pulp melodrama , this smart-aleck movie ... tosses around some intriguing questions about the difference between human and android life	1
94	strung-together moments	0
95	, generous and subversive artworks	1
96	it does n't follow the stale , standard , connect-the-dots storyline which has become commonplace in movies that explore the seamy underbelly of the criminal world	1
97	funny yet	1
98	overbearing and over-the-top	0
99	it 's robert duvall !	1
100	rich and sudden wisdom	1
101	acted and directed , it 's clear that washington most certainly has a new career ahead of him	1
102	in memory	1
103	respectable new one	1
104	yet this grating showcase	0
105	hate to tear your eyes away from the images long enough to read the subtitles	1
106	addition to sporting one of the worst titles in recent cinematic history	0
107	, this gender-bending comedy is generally quite funny .	1
108	build some robots , haul 'em to the theater with you for the late show , and put on your own mystery science theatre 3000 tribute to what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year	0
109	do n't work in concert	0
110	the direction has a fluid , no-nonsense authority , and the performances by harris , phifer and cam ` ron seal the deal .	1
111	would have liked it more if it had just gone that one step further	1
112	it 's too harsh to work as a piece of storytelling ,	0
113	hawaiian shirt	1
114	takes a classic story , casts attractive and talented actors and uses a magnificent landscape to create a feature film that is wickedly fun to watch .	1
115	provide its keenest pleasures	1
116	altogether too slight to be called any kind of masterpiece	0
117	grievous but	0
118	after you laugh once ( maybe twice ) , you will have completely forgotten the movie by the time you get back to your car in the parking lot .	0
119	hopeless	0
120	unpretentious , charming , quirky , original	1
121	nicks and steinberg match their own creations for pure venality -- that 's giving it the old college try .	0
122	very well-written and very well-acted .	1
123	are n't many conclusive answers in the film	0
124	clumsy dialogue , heavy-handed phoney-feeling sentiment ,	0
125	proves a lovely trifle that , unfortunately , is a little too in love with its own cuteness .	0
126	bring tissues .	1
127	the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work .	0
128	brings the proper conviction to his role as ( jason bourne ) .	1
129	as a young woman of great charm , generosity and diplomacy	1
130	there 's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us .	1
131	just too silly	0
132	cinematic bon bons	1
133	it is supremely unfunny and unentertaining to watch middle-age and	0
134	a lively and engaging examination of how similar obsessions can dominate a family .	1
135	irritates and	0
136	collapse	0
137	so many of the challenges it poses for itself that one can forgive the film its flaws	1
138	, it serves as a workable primer for the region 's recent history , and would make a terrific 10th-grade learning tool .	1
139	wide-awake all the way through	1
140	( vainly , i think )	0
141	is one big excuse to play one lewd scene after another .	0
142	is effective if you stick with it	1
143	that underscore the importance of family tradition and familial community	1
144	delivers what it promises : a look at the `` wild ride '' that ensues when brash young men set out to conquer the online world with laptops , cell phones and sketchy business plans	1
145	watching this digital-effects-heavy , supposed family-friendly comedy	0
146	absolutely and completely ridiculous and	0
147	's a very tasteful rock and roll movie .	1
148	the movie is almost completely lacking in suspense , surprise and consistent emotional conviction .	0
149	realistic portrayal	1
150	as if trying to grab a lump of play-doh , the harder that liman tries to squeeze his story	0
151	well-thought stunts or	1
152	reveals how important our special talents can be when put in service of of others .	1
153	no lika da	0
154	a welcome relief	1
155	the promise of digital filmmaking	1
156	just one that could easily wait for your pay per view dollar	0
157	justify a theatrical simulation of the death camp of auschwitz ii-birkenau	0
158	extraordinary faith	1
159	have i seen a film so willing to champion the fallibility of the human heart	1
160	, sometimes beautiful adaptation	1
161	about as interesting	0
162	caruso sometimes descends into sub-tarantino cuteness ... but for the most part he makes sure the salton sea works the way a good noir should , keeping it tight and nasty .	1
163	overlong , and bombastic	0
164	derivative and hammily	0
165	most audacious , outrageous ,	1
166	at its best moments	1
167	disney again ransacks its archives for a quick-buck sequel .	0
168	that final , beautiful scene	1
169	some movies suck you in despite their flaws ,	1
170	eats , meddles , argues , laughs , kibbitzes and fights	1
171	the problem with the film is whether these ambitions , laudable in themselves , justify a theatrical simulation of the death camp of auschwitz ii-birkenau .	0
172	, compelling	1
173	infectiously	1
174	the picture runs a mere 84 minutes , but it 's no glance .	1
175	think of this dog of a movie	0
176	's remarkable procession of sweeping pictures that have reinvigorated the romance genre .	1
177	those so-so films that could have been much better	0
178	a passable date film	1
179	imax in short	1
180	i hate it .	0
181	's pleasant enough -- and oozing with attractive men	1
182	no one involved , save dash , shows the slightest aptitude for acting	0
183	in this wildly uneven movie	0
184	pokes , provokes , takes expressionistic license	1
185	like one of ( spears ' ) music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it	0
186	with color and depth , and rather a good time	1
187	silly , outrageous , ingenious	1
188	being able to hit on a 15-year old when you 're over 100	0
189	the story of trouble every day ... is so sketchy it amounts to little more than preliminary notes for a science-fiction horror film , and the movie 's fragmentary narrative style makes piecing the story together frustrating difficult .	0
190	the year 's best and most unpredictable comedy	1
191	starts off so bad that you feel like running out screaming	0
192	men in black ii achieves ultimate insignificance -- it 's the sci-fi comedy spectacle as whiffle-ball epic .	0
193	elvira fans could hardly ask for more .	1
194	a good one	1
195	, plodding picture	0
196	the character dramas , which never reach satisfying conclusions	0
197	lost in the translation this time	0
198	speak for it while it forces you to ponder anew what a movie can be	1
199	enables shafer to navigate spaces both large ... and small ... with considerable aplomb	1
200	a plot cobbled together from largely flat and uncreative moments	0
201	inane and awful	0
202	told in scattered fashion	0
203	takes chances that are bold by studio standards	1
204	believe it or not , jason actually takes a backseat in his own film to special effects	0
205	only thing to fear about `` fear dot com ''	0
206	whole mess	0
207	manages to infuse the rocky path to sibling reconciliation with flashes of warmth and gentle humor	1
208	working from a surprisingly sensitive script co-written by gianni romoli ... ozpetek avoids most of the pitfalls you 'd expect in such a potentially sudsy set-up .	1
209	a résumé loaded with credits like `` girl in bar # 3	0
210	enjoy the ride	1
211	very little to add beyond the dark visions already relayed by superb recent predecessors	0
212	the , yes , snail-like pacing	0
213	an extremely unpleasant film .	0
214	if it is n't entirely persuasive , it does give exposure to some talented performers	1
215	the whole affair , true story or not , feels incredibly hokey ...	0
216	are all things we 've seen before	0
217	poignant and leavened	1
218	breathless anticipation	1
219	significantly better	1
220	as predictable as the tides	0
221	bewilderingly brilliant and entertaining	1
222	it 's smooth and professional	1
223	, unassuming , subordinate	0
224	the horror	0
225	a technically superb film	1
226	the positive change in tone here seems to have recharged him .	1
227	pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators	1
228	a dim	0
229	, vicious and absurd	0
230	because he acts so goofy all the time	0
231	to a kinetic life so teeming that even cranky adults may rediscover the quivering kid inside	1
232	's at once laughable and compulsively watchable ,	1
233	merit its 103-minute length	1
234	the value and respect for the term epic cinema	1
235	as a dentist 's waiting room	0
236	showing honest emotions	1
237	amazingly lame .	0
238	confessions may not be a straightforward bio	0
239	seems a disappointingly thin slice of lower-class london life ; despite the title ... amounts to surprisingly little	0
240	the story is bogus and	0
241	this comic gem is as delightful as it is derivative .	1
242	to spare wildlife	1
243	ugly as the shabby digital photography	0
244	understand the difference between dumb fun and just plain dumb	0
245	traditionally structured	1
246	frida is n't that much different from many a hollywood romance .	0
247	does point the way for adventurous indian filmmakers toward a crossover into nonethnic markets .	1
248	are worth the price of admission ... if `` gory mayhem '' is your idea of a good time	1
249	was produced by jerry bruckheimer and directed by joel schumacher , and reflects the worst of their shallow styles : wildly overproduced , inadequately motivated every step of the way and demographically targeted to please every one ( and no one )	0
250	carnage and	0
251	degraded , handheld blair witch video-cam footage	0
252	second fiddle	0
253	about the folly of superficiality that is itself	0
254	serves as auto-critique , and its clumsiness as its own most damning censure .	0
255	tedious norwegian offering which somehow snagged an oscar nomination .	0
256	, esther kahn is unusual but unfortunately also irritating .	0
257	a stylish exercise	1
258	halfway through this picture i was beginning to hate it	0
259	a setup so easy it borders on facile	0
260	a thoroughly awful movie	0
261	takes hold and grips hard	1
262	look smeary and blurry , to the point of distraction	0
263	the picture 's fascinating byways	1
264	guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves	0
265	breezy , distracted rhythms	0
266	than this mess	0
267	evanescent , seamless and sumptuous stream	1
268	slick and manufactured to claim street credibility .	1
269	take care is nicely performed by a quintet of actresses ,	1
270	valuable messages	1
271	in no small part thanks to lau	1
272	two guys who desperately want to be quentin tarantino when they grow up	0
273	no new plot conceptions	0
274	essentially a collection of bits --	0
275	does n't bode well for the rest of it	0
276	elevated by it -- the kind of movie	1
277	usual worst	0
278	hugh grant , who has a good line in charm	1
279	arrive early and stay late	1
280	is a pan-american movie , with moments of genuine insight into the urban heart .	1
281	i could have used my two hours better watching being john malkovich again .	0
282	shot in artful , watery tones of blue , green and brown	1
283	an unorthodox little film noir organized crime story that includes one of the strangest	1
284	considerable aplomb	1
285	acted by diane lane and richard gere .	1
286	scant	0
287	an admittedly middling film	1
288	too ludicrous	0
289	the rock 's fighting skills are more in line with steven seagal	1
290	rich and full	1
291	warm water under a red bridge is a celebration of feminine energy , a tribute to the power of women to heal .	1
292	that uses a sensational , real-life 19th-century crime as a metaphor for	1
293	, home movie will leave you wanting more , not to mention leaving you with some laughs and a smile on your face .	1
294	, the film retains ambiguities that make it well worth watching .	1
295	ultra-cheesy dialogue	0
296	added depth and resonance	1
297	the sensational	1
298	huge-screen format to make an old-fashioned nature film that educates viewers with words and pictures while entertaining them	1
299	handsome but unfulfilling suspense drama	0
300	's not very good either .	0
301	in her most charmless	0
302	makes an unusual but pleasantly haunting debut behind the camera .	1
303	a fine , rousing , g-rated family film , aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats .	1
304	everything about girls ca n't swim , even its passages of sensitive observation , feels secondhand , familiar -- and not in a good way .	0
305	the cast is spot on and	1
306	ugly digital video	0
307	can only love the players it brings to the fore for the gifted but no-nonsense human beings they are and for the still-inestimable contribution they have made to our shared history	1
308	rather choppy	0
309	becomes one more dumb high school comedy about sex gags and prom dates	0
310	demands and receives excellent performances	1
311	xxx is a blast of adrenalin ,	1
312	pure escapism	1
313	create a film that 's not merely about kicking undead ***	1
314	about love and culture	1
315	is worse :	0
316	horrifying	0
317	mourns her tragedies in private	0
318	the action scenes are poorly delivered	0
319	it 's so bad	0
320	so bad	0
321	, 84 minutes is short	1
322	dabbles all around , never gaining much momentum	0
323	a masterpiece	1
324	a lot to do with the casting of juliette binoche as sand , who brings to the role her pale , dark beauty and characteristic warmth	1
325	does n't leave you with much .	0
326	good acting	1
327	like most of jaglom 's films , some of it is honestly affecting	1
328	marivaux 's rhythms , and mira sorvino 's limitations as a classical actress	0
329	is less successful on other levels	0
330	's still quite worth seeing	1
331	intelligent and moving .	1
332	he appears miserable throughout as he swaggers through his scenes	0
333	men	1
334	accomplish what few sequels can	1
335	a clunky tv-movie approach to detailing a chapter in the life of the celebrated irish playwright , poet and drinker	0
336	i 'm not sure which half of dragonfly is worse : the part where nothing 's happening , or the part where something 's happening	0
337	exhilarating , funny and fun .	1
338	bound to appeal to women looking for a howlingly trashy time	1
339	, it never quite makes the grade as tawdry trash .	0
340	has the right stuff for silly summer entertainment and has enough laughs to sustain interest to the end .	1
341	endearing , caring	1
342	seagal , who looks more like danny aiello these days	1
343	enactments , however fascinating they may be as history , are too crude to serve the work especially well .	0
344	not everything in this ambitious comic escapade works , but coppola , along with his sister , sofia , is a real filmmaker	1
345	the dehumanizing and ego-destroying process	0
346	taboo subject matter	0
347	see this	1
348	utterly incompetent conclusion	0
349	has always been part of for the most part wilde 's droll whimsy helps `` being earnest '' overcome its weaknesses and parker 's creative interference ...	1
350	you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her	1
351	run for cover	0
352	low budget	0
353	a deceptively casual ode	1
354	walked out muttering words like `` horrible '' and `` terrible , ''	0
355	help chicago make the transition from stage to screen with considerable appeal intact	1
356	you have ellen pompeo sitting next to you for the ride	1
357	a giant step backward	0
358	true fans	1
359	just copies	0
360	quite rich and exciting	1
361	luminous interviews and amazingly evocative film from three decades ago	1
362	from lynch , jeunet , and von trier while failing to find a spark of its own	0
363	, you ca n't help but get caught up in the thrill of the company 's astonishing growth .	1
364	this frozen tundra soap opera	0
365	a showdown	1
366	is simply too overdone	0
367	greatly	1
368	free	1
369	intriguing species	1
370	try and evade	0
371	scherfig , who has had a successful career in tv	1
372	watching it leaves you giddy	1
373	beautifully acted and directed , it 's clear that washington most certainly has a new career ahead of him if he so chooses .	1
374	far tamer	0
375	outrageously creative action	1
376	the most purely enjoyable and satisfying evenings	1
377	is never any question of how things will turn out	0
378	only open new wounds	0
379	despite suffering a sense-of-humour failure	0
380	for a story	1
381	in addition to hoffman 's powerful acting clinic	1
382	right stuff	1
383	the wonderful cinematography and naturalistic acting	1
384	high-concept films	1
385	sleepwalk through vulgarities in a sequel you can refuse	0
386	with no reason for being	0
387	just about all of the film is confusing on one level or another , making ararat far more demanding than it needs to be .	0
388	invigorating , surreal , and resonant	1
389	the chateau , a sense of light-heartedness , that makes it attractive throughout	1
390	have a passion for the material	1
391	maybe it is formula filmmaking , but there 's nothing wrong with that if the film is well-crafted and this one is .	1
392	a movie that ca n't get sufficient distance from leroy 's	0
393	romanticized rendering	1
394	is terrific as rachel	1
395	of special effects that run the gamut from cheesy to cheesier to cheesiest	0
396	the worst film a man has made about women since valley of the dolls	0
397	come , already having been recycled more times than i 'd care to count	0
398	with awe	1
399	joyous romp of a film .	1
400	a nonstop hoot	1
401	, partisans and sabotage	0
402	gory as the scenes of torture and self-mutilation	0
403	just as the recent argentine film son of the bride reminded us that a feel-good movie can still show real heart	1
404	ub equally spoofs and celebrates the more outre aspects of ` black culture ' and the dorkier aspects of ` white culture , ' even as it points out how inseparable the two are .	1
405	the package in which this fascinating -- and timely -- content comes wrapped is disappointingly generic .	0
406	this obscenely bad dark comedy , so crass	0
407	naomi watts is terrific as rachel ; her petite frame and vulnerable persona emphasising her plight and isolation	1
408	exciting and	1
409	schticky	0
410	and in the best way	1
411	of our most flamboyant female comics	1
412	squareness that would make it the darling of many a kids-and-family-oriented cable channel	1
413	( less a movie than ) an appalling , odoriferous thing ... so	0
414	this film special	1
415	of the amazing spider-man	1
416	the stomach-turning violence	0
417	could use a little more humanity	0
418	not everything	0
419	acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover .	1
420	a slow-moving police-procedural thriller	0
421	a bad idea from frame one	0
422	terrific , sweaty-palmed fun	1
423	very funny joke	1
424	volletta wallace 's maternal fury	0
425	complex story	1
426	atop wooden dialogue	0
427	that it progresses in such a low-key manner that it risks monotony	0
428	be burns 's strongest film since the brothers mcmullen	1
429	ca n't miss it	1
430	dover kosashvili 's outstanding feature debut so potent	1
431	of the best short story writing	1
432	it seeks excitement in manufactured high drama	0
433	feeble comedy .	0
434	an insult to every family	0
435	it is essentially empty	0
436	of the film 's problems	0
437	makes my big fat greek wedding look like an apartheid drama	0
438	is not even half the interest .	0
439	never achieve the popularity of my big fat greek wedding	0
440	`` auto focus '' works as an unusual biopic and document of male swingers in the playboy era	1
441	right now , they 're merely signposts marking the slow , lingering death of imagination .	0
442	appealing character quirks to forgive that still serious problem	1
443	often lingers just as long on the irrelevant as on the engaging , which gradually turns what time is it there ?	0
444	the energy it takes to describe how bad it is	0
445	wait to see it then .	0
446	could easily be called the best korean film of 2002	1
447	largest-ever historical canvas	1
448	a solid cast , assured direction and complete lack of modern day irony .	1
449	comatose ballerinas	0
450	oh-so-important	1
451	of the road , where the thematic ironies are too obvious and the sexual politics too smug	0
452	formulaic equations	0
453	's a work that , with humor , warmth , and intelligence , captures a life interestingly lived	1
454	deserve a passing grade	1
455	you 're gon na like this movie .	1
456	simply stupid , irrelevant	0
457	weaves both the elements of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise .	1
458	a heavy-handed indictment of parental failings and	0
459	felt performances across the board .	1
460	seem weird and distanced	0
461	has finally made a movie that is n't just offensive	1
462	casual and fun	1
463	plodding mess	0
464	the weird thing about the santa clause 2 , purportedly a children 's movie , is that there is nothing in it to engage children emotionally .	0
465	the film 's intimate camera work	1
466	you 'll find yourself wishing that you and they were in another movie .	0
467	of dishonesty	0
468	as bestial	0
469	as it is a loose collection of not-so-funny gags , scattered moments of lazy humor	0
470	, they prove more distressing than suspenseful .	0
471	crackles	1
472	a fairly revealing study of its two main characters	1
473	high drama , disney-style	1
474	may be more genial than ingenious , but it gets the job done .	1
475	, good action , good acting , good dialogue , good pace , good cinematography .	1
476	her bully of a husband	0
477	gaghan ... has thrown every suspenseful cliché in the book at this nonsensical story .	0
478	the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters	0
479	oozing , chilling and heart-warming	1
480	stale retread	0
481	filming the teeming life on the reefs	1
482	an already thin story boils down to surviving invaders seeking an existent anti-virus .	0
483	quite endearing .	1
484	with fewer gags to break the tedium	0
485	overbearing and	0
486	deep deceptions	0
487	things will turn out okay	1
488	the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural	1
489	grand	1
490	good-natured fun found in films like tremors	1
491	betters it	1
492	transfixes the audience	1
493	moving and important	1
494	dope	1
495	an avid interest	1
496	blessed with two fine , nuanced lead performances	1
497	true star	1
498	hampered -- no , paralyzed -- by a self-indulgent script ...	0
499	is expressly for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance .	0
500	is haunting ... ( it 's ) what punk rock music used to be , and what the video medium could use more of : spirit , perception , conviction	1
501	which nurses plot holes gaping enough to pilot an entire olympic swim team through	0
502	that 's both charming and well acted	1
503	a bad blend	0
504	the guy-in-a-dress genre	1
505	director claude chabrol has become the master of innuendo .	1
506	riveting and	1
507	excruciatingly unfunny and pitifully unromantic .	0
508	war movies	0
509	an inuit masterpiece	1
510	oscar	1
511	the cliché-laden screenplay	0
512	girlfriends are bad , wives are worse	0
513	provide much more insight	1
514	, and as easy to be bored by as your abc 's ,	0
515	what you wish for	1
516	fluid and mesmerizing	1
517	... a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 'n' roll .	1
518	it 's a testament to the film 's considerable charm that it succeeds in entertaining , despite playing out like a feature-length sitcom replete with stereotypical familial quandaries .	1
519	ransacks	0
520	lacks the charisma and ability to carry the film on his admittedly broad shoulders .	0
521	book report	0
522	leave the theater	0
523	spousal abuse	0
524	the director , with his fake backdrops and stately pacing ,	0
525	a diverse and astonishingly articulate cast of palestinian and israeli children .	1
526	anyone who suffers through this film	0
527	one carried by a strong sense of humanism	1
528	for all its brilliant touches , dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .	0
529	another entertaining romp from robert rodriguez .	1
530	directed with purpose and finesse by england 's roger mitchell , who handily makes the move from pleasing , relatively lightweight commercial fare such as notting hill to commercial fare with real thematic heft .	1
531	it 'll probably be in video stores by christmas	0
532	funny , triumphant ,	1
533	underachiever	0
534	a film of ideas and wry comic mayhem	1
535	of moviegoers for real characters and compelling plots	1
536	dime-store ruminations	0
537	worth a	1
538	, reality shows -- reality shows for god 's sake !	0
539	whatever the movie 's sentimental , hypocritical lessons about sexism , its true colors come out in various wet t-shirt and shower scenes .	0
540	'll cry for your money back	0
541	enthralling	1
542	is worse : the part where nothing 's happening , or the part where something 's happening	0
543	like max rothman 's future , does not work .	0
544	of quirky characters and an engaging story	1
545	has the thrown-together feel of a summer-camp talent show : hastily written , underrehearsed , arbitrarily plotted and	0
546	making kahlo 's art a living ,	1
547	bad run	0
548	may just end up trying to drown yourself in a lake afterwards .	0
549	many pleasures	1
550	is worth searching out	1
551	at this time , with this cast , this movie is hopeless	0
552	time bombs	0
553	balances both traditional or modern stories together in a manner that one never overwhelms the other .	1
554	the surface histrionics failing to compensate for the paper-thin characterizations and facile situations	0
555	plumbs uncharted depths of stupidity , incoherence and sub-sophomoric sexual banter .	0
556	a sour taste in one 's mouth	0
557	decent performance	1
558	... familiar and predictable , and 4/5ths of it might as well have come from a xerox machine rather than ( writer-director ) franc .	0
559	a headline-fresh thriller set among orthodox jews on the west bank , joseph cedar 's time of favor manages not only to find a compelling dramatic means of addressing a complex situation , it does so without compromising that complexity .	1
560	responsible for one of the worst movies of one year	0
561	appalling , shamelessly manipulative and contrived	0
562	movie love	1
563	human darkness	0
564	understand that the idea of exploiting molestation for laughs is funny , not actually exploiting it yourself	0
565	it 's too loud to shout insults at the screen	0
566	's a long way from orwell 's dark , intelligent warning cry ( 1984 )	0
567	a coming-of-age film that avoids the cartoonish clichés and sneering humor of the genre as it provides a fresh view of an old type --	1
568	the perfect movie	1
569	ardently waste viewers ' time with a gobbler like this	0
570	oscar-sweeping franchise predecessor	1
571	it sets out with no pretensions and delivers big time	1
572	see how many times they can work the words `` radical '' or `` suck '' into a sentence	0
573	give you enough to feel good about	1
574	unexpectedly insightful	1
575	allen 's romantic comedies so pertinent and enduring	1
576	is an extraordinary film , not least	1
577	a doubt	0
578	maudlin or	0
579	with the the wisdom and humor of its subjects	1
580	a party-hearty teen flick that scalds like acid .	0
581	the wan , thinly sketched story	0
582	provide the funniest moments in this oddly sweet comedy about jokester highway patrolmen	1
583	this romantic/comedy asks the question how much souvlaki can you take before indigestion sets in .	0
584	again dazzle and delight us	1
585	that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes	1
586	aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film	1
587	impresses as a skillfully assembled , highly polished and professional adaptation ... just about as chilling and unsettling as ` manhunter ' was .	1
588	failure to construct a story with even a trace of dramatic interest	0
589	but it also comes with the laziness and arrogance of a thing that already knows it 's won .	0
590	it 's a frightful vanity film that , no doubt , pays off what debt miramax felt they owed to benigni .	0
591	laughed at	1
592	, future lizard endeavors will need to adhere more closely to the laws of laughter	0
593	a philosophical void	0
594	unlikable characters and a self-conscious sense	0
595	intelligence or invention	1
596	hot on the hardwood proves once again that a man in drag is not in and of himself funny .	0
597	hopelessly juvenile	0
598	shakespearean -- both in depth and breadth --	1
599	unique directing style	1
600	required to give this comic slugfest some heart	0
601	feel more like a non-stop cry for attention	0
602	hip hop beat	1
603	feel more like literary conceits than flesh-and-blood humans	0
604	no explanation	0
605	funniest and	1
606	a chilly , remote , emotionally distant piece ... so dull that its tagline should be	0
607	starts off witty and sophisticated and you	1
608	a bargain-basement european pickup	0
609	, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons	1
610	shines on all the characters , as the direction is intelligently accomplished	1
611	taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults	1
612	lead a group of talented friends astray	1
613	it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating .	0
614	this gentle , mesmerizing portrait	1
615	genial is the conceit , this is one of those rare pictures that you root for throughout ,	1
616	draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss	1
617	spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )	0
618	is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own	0
619	it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success .	0
620	handles it in the most unexpected way	1
621	those eternally devoted to the insanity of black will have an intermittently good time .	1
622	obscenely bad	0
623	devastatingly	0
624	i do n't see the point	0
625	comes off like a bad imitation of the bard	0
626	that excites the imagination and tickles the funny bone	1
627	one of its strengths	1
628	of masterpiece	1
629	into this dream hispanic role with a teeth-clenching gusto	1
630	stiff or just plain bad	0
631	makes these lives count	1
632	jolts the laughs from the audience --	1
633	a delightful stimulus	1
634	has no point	0
635	of isolation and frustration	0
636	winning shot	1
637	of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel	0
638	feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop .	1
639	lewis	1
640	that there 's no other reason why anyone should bother remembering it	0
641	bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .	1
642	father cliché	0
643	domestic tension and unhappiness	0
644	the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable	0
645	called the best korean film of 2002	1
646	one of the best rock	1
647	it forces you to watch people doing unpleasant things to each other and themselves	1
648	of the holiday box office pie	1
649	inexpressible and drab wannabe	0
650	the hail of bullets , none of which ever seem to hit	0
651	like an extended , open-ended poem than a traditionally structured story	1
652	's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and	0
653	to hate	0
654	to be mesmerised	1
655	the people who loved the 1989 paradiso will prefer this new version	1
656	a lot of energy	1
657	for its success on a patient viewer	1
658	while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .	1
659	this may be burns 's strongest film since the brothers mcmullen .	1
660	turned down	0
661	timely , tongue-in-cheek	1
662	undramatic	0
663	the pile of useless actioners	0
664	morton deserves an oscar nomination .	1
665	weirdly engaging and unpredictable character pieces	1
666	efficiency and an affection for the period	1
667	manages to accomplish what few sequels can -- it equals the original and in some ways even betters it	1
668	does not work .	0
669	it is n't merely offensive	0
670	tell a story about the vietnam war before the pathology set in	1
671	it irrigates our souls .	1
672	a hint of humor	1
673	with a big heart	1
674	a rollicking adventure for you and all your mateys , regardless of their ages	1
675	its most immediate and most obvious pleasure	1
676	there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies	1
677	one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .	1
678	made a decent ` intro ' documentary	1
679	makes us see familiar issues , like racism and homophobia , in a fresh way .	1
680	the film goes right over the edge and kills every sense of believability	0
681	a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor .	0
682	emotional seesawing	0
683	movies with the courage to go over the top and movies that do n't care about being stupid	1
684	target audience has n't graduated from junior high school	0
685	this intricately structured and well-realized drama	1
686	embracing	1
687	the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire	0
688	a meditation on faith and madness , frailty is blood-curdling stuff .	1
689	a pretty listless collection	0
690	other than its oscar-sweeping franchise predecessor	1
691	almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in	1
692	have been called freddy gets molested by a dog	0
693	moody male hustler	0
694	uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels	0
695	the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill	1
696	which is mostly a bore	0
697	an entertaining mix of period drama and flat-out farce that should please history fans	1
698	suspect that you 'll be as bored watching morvern callar as the characters are in it .	0
699	the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart .	1
700	love this movie	1
701	... the efforts of its star , kline , to lend some dignity to a dumb story are for naught .	0
702	flat as the scruffy sands of its titular community	0
703	liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances	1
704	is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story	0
705	works smoothly	1
706	with a creepy and dead-on performance	1
707	might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead .	0
708	placed in the pantheon of the best of the swashbucklers	1
709	a satisfyingly unsettling ride	1
710	good a job as anyone	1
711	, smart and complicated	1
712	the intimate , unguarded moments of folks who live in unusual homes --	0
713	are pretty valuable these days	1
714	( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but barbershop is n't as funny as it should be .	0
715	that the only rip off that we were aware of	0
716	beautiful to watch and	1
717	accentuating	1
718	no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time	0
719	a wonderful ensemble cast	1
720	endear	1
721	the truly funny bits	1
722	's that painful .	0
723	american beauty reeks	0
724	clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long	0
725	without any of its sense of fun or energy	0
726	be the cat 's meow	1
727	's simply stupid , irrelevant and deeply	0
728	wonderland adventure , a stalker thriller , and	1
729	be part of	1
730	cinema history as the only movie ever	1
731	comes from a renowned indian film culture that allows americans to finally revel in its splendor	1
732	accomplished oscar winners	1
733	of those underrated professionals who deserve but rarely receive it	1
734	we find ourselves surprised at how much we care about the story	1
735	an all-time low	0
736	enjoyed it just	1
737	reacting to it - feeling a part of its grand locations ,	1
738	delivered with such conviction that it 's hard not to be carried away	1
739	colorful , vibrant introduction	1
740	the slow parade of human frailty fascinates you	1
741	famuyiwa 's feature deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer .	1
742	a laugh between them	1
743	that gradually sneaks up on the audience	1
744	photographic marvel	1
745	is shockingly bad and absolutely unnecessary .	0
746	gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences .	1
747	the result , however well-intentioned , is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood .	0
748	while not for every taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .	1
749	wow ' factor	1
750	hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema .	1
751	brazil-like , hyper-real satire	1
752	low on both suspense and payoff	0
753	find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most	1
754	an absolute delight for all audiences	1
755	would tax einstein 's brain .	0
756	's its first sign of trouble	0
757	ca n't believe anyone would really buy this stuff	0
758	moonlight mile should strike a nerve in many .	1
759	if ever such a dependable concept was botched in execution	0
760	wedding feels a bit anachronistic .	0
761	been lost in the translation this time	0
762	revelatory performance	1
763	the pianist like a surgeon mends a broken heart ; very meticulously but without any passion	0
764	remains oddly detached	0
765	that is more complex and honest than anything represented in a hollywood film	1
766	nifty premise	1
767	vein	1
768	the wonderfully lush morvern callar is pure punk existentialism , and	1
769	go down with a ship as leaky	0
770	earnest movie	1
771	effective enough	1
772	showing us well-thought stunts or a car chase that we have n't seen 10,000 times	1
773	make the film more silly than scary , like some sort of martha stewart decorating program run amok	0
774	going at a rapid pace ,	1
775	still fun and enjoyable and	1
776	a lazy exercise in bad filmmaking	0
777	this thing is virtually unwatchable .	0
778	's also undeniably exceedingly clever	1
779	would ever work in a mcculloch production again if they looked at how this movie turned out	0
780	an entertainment destination for the general public	1
781	i have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense .	1
782	england 's roger mitchell , who handily makes the move from pleasing	1
783	to the enduring strengths of women	1
784	surprisingly faithful	1
785	the numerous scenes	1
786	exaggerated and	0
787	takes a really long , slow and dreary time	0
788	improved upon the first	1
789	that might have made it an exhilarating	1
790	k-19 : the widowmaker is a great yarn .	1
791	humorless	0
792	thank	1
793	just because a walk to remember	1
794	bite	0
795	amounts to little more than punishment .	0
796	the humor is recognizably plympton	1
797	likeable thanks to its cast , its cuisine and its quirky tunes .	1
798	makes piecing the story together frustrating difficult	0
799	a fascinating , compelling story	1
800	the film 's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence	0
801	a fascinating , dark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction .	1
802	whimsical and relevant today	1
803	see the it	1
804	tackles the difficult subject of grief and loss	1
805	grotesque narcissism	0
806	funny and sad	1
807	is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan .	1
808	it wore me down	0
809	be so stupid	0
810	as refreshing	1
811	what we get in feardotcom is more like something from a bad clive barker movie .	0
812	has created a brilliant motion picture .	1
813	from the clumsy cliché of the ugly american	0
814	a beautiful food entrée	1
815	us a slice of life that 's very different from our own and yet instantly recognizable	1
816	the passive-aggressive psychology of co-dependence	0
817	his story ends or just ca n't tear himself away from the characters	1
818	does not live up to its style	0
819	scenes of cinematic perfection	1
820	love liza 's tale	1
821	the type of film about growing up that we do n't see often enough these days : realistic , urgent	1
822	first , for a movie that tries to be smart , it 's kinda dumb .	0
823	go see this delightful comedy .	1
824	worst sense	0
825	propelled by the acting	1
826	presents us with an action movie that actually has a brain .	1
827	human nature is a goofball movie , in the way that malkovich was , but it tries too hard	0
828	overplayed	0
829	should be poignant	0
830	'' feels capable of charming the masses with star power , a pop-induced score and sentimental moments that have become a spielberg trademark .	1
831	visceral and dangerously honest revelations about the men and machines behind the curtains of our planet	1
832	kirshner and monroe seem to be in a contest to see who can out-bad-act the other .	0
833	mug shots	0
834	the barbarism of ` ethnic cleansing	0
835	another masterpiece	1
836	an incredibly layered and stylistic film	1
837	a classic story	1
838	daring	1
839	wo n't feel cheated by the high infidelity of unfaithful .	1
840	haute	0
841	convey a strong sense of the girls ' environment .	1
842	ugly and	0
843	a journey spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick	1
844	any insight	1
845	a well-intentioned effort that 's still too burdened by the actor 's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility .	0
846	passionate , tumultuous affair	1
847	the kind of under-inspired , overblown enterprise that gives hollywood sequels a bad name	0
848	an enjoyable experience .	1
849	've had more interesting -- and , dare i say , thematically complex -- bowel movements than this long-on-the-shelf , point-and-shoot exercise in gimmicky crime drama .	0
850	is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents .	1
851	well to cram earplugs	0
852	who is simply tired	0
853	it 's the little nuances that perhaps had to escape from director mark romanek 's self-conscious scrutiny to happen , that finally get under your skin	0
854	both convincing and radiant	1
855	smart and dark -	1
856	emaciated flick	0
857	jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects	0
858	point at things that explode into flame	0
859	jolts the laughs from the audience	1
860	heralds something special	1
861	has n't escaped the rut dug by the last one	0
862	a perfect performance	1
863	this cinema verite speculation on the assassination of john f. kennedy may have been inspired by blair witch , but it takes its techniques into such fresh territory that the film never feels derivative	1
864	an unsuccessful attempt at a movie	0
865	sometimes confusing	0
866	superlative	1
867	buy the soundtrack	1
868	's sharply comic and surprisingly touching ,	1
869	a soap-opera quality twist in the last 20 minutes ... almost puts the kibosh on what is otherwise a sumptuous work of b-movie imagination .	0
870	to change hackneyed concepts when it comes to dreaming up romantic comedies	0
871	the folly of superficiality that is itself	0
872	lumbering load	0
873	a 95-minute commercial for nba properties	0
874	though many of these guys are less than adorable	0
875	peels layers from this character that may well not have existed on paper .	1
876	is deadly dull	0
877	inferior	0
878	big-hearted and frequently	1
879	striking deep chords of sadness	1
880	laughs aplenty	1
881	schaeffer is n't in this film , which may be why it works as well as it does .	1
882	loud , ugly , irritating movie	0
883	is impressive for the sights and sounds of the wondrous beats the world has to offer	1
884	the scorpion king more than ably	1
885	make a pretty good team	1
886	lags badly in the middle and lurches between not-very-funny comedy , unconvincing dramatics and some last-minute action strongly reminiscent of run lola run	0
887	does a great combination act as narrator , jewish grandmother and subject -- taking us through a film that is part biography , part entertainment and part history .	1
888	bill plympton , the animation master	1
889	impossible task	0
890	that in a good way	1
891	a watch that makes time go faster rather than	1
892	very best pictures	1
893	lack their idol 's energy and passion for detail	0
894	and church meetings	1
895	than in creating an emotionally complex , dramatically satisfying heroine	1
896	compassionate	1
897	will find in these characters ' foibles a timeless and unique perspective	1
898	hugely entertaining from start to finish , featuring a fall from grace that still leaves shockwaves	1
899	an ebullient affection	1
900	somehow snagged an oscar nomination	0
901	manages to show the gentle and humane side of middle eastern world politics	1
902	` realistic '	1
903	nicely done	1
904	a summer of good stuff	1
905	the satire is just too easy to be genuinely satisfying .	0
906	sustains	1
907	neither is it as smart	0
908	fare , with enough creative energy and wit to entertain all ages	1
909	the movie is powerful and provocative .	1
910	time literally stops on a dime in the tries-so-hard-to-be-cool `` clockstoppers , '' but that does n't mean it still wo n't feel like the longest 90 minutes of your movie-going life	0
911	sharp edges and a deep vein of sadness	1
912	those who do n't entirely ` get ' godard 's distinctive discourse will still come away with a sense of his reserved but existential poignancy .	1
913	not only are the film 's sopranos gags incredibly dated and unfunny , they also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were .	0
914	'n safe as to often play like a milquetoast movie of the week blown up for the big screen	0
915	like to skip but film buffs should get to know	1
916	narrative discipline	1
917	samuel l. jackson	1
918	is this films reason for being .	1
919	the old saying goes , because it 's true	1
920	take any 12-year-old boy to see this picture	1
921	aims for poetry and ends up sounding like satire	0
922	come close to the level of intelligence and visual splendor that can be seen in other films	0
923	embracing than monty	1
924	is it hokey	0
925	as assaults on america 's knee-jerk moral sanctimony	0
926	that 's hardly any fun to watch	0
927	get caught up in the thrill of the company 's astonishing growth	1
928	it 's on par with the first one	1
929	is moody , oozing , chilling and heart-warming all at once	1
930	is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism	1
931	is in the right place , his plea for democracy and civic action laudable	1
932	above most of its ilk	1
933	with spy kids 2 : the island of lost dreams , however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .	1
934	from kevin kline who unfortunately works with a two star script	0
935	change watching such a character , especially when rendered in as flat and	0
936	i do n't think so .	0
937	devotees of star trek ii : the wrath of khan will feel a nagging sense of deja vu , and the grandeur of the best next generation episodes is lacking	0
938	is always a joy to watch , even when her material is not first-rate	1
939	great to see this turd squashed under a truck , preferably a semi	0
940	bile , and irony	0
941	a faulty premise ,	0
942	haphazardness	0
943	the plot grows thin soon ,	0
944	beloved-major	1
945	by no means a great movie , but it is a refreshingly forthright one .	1
946	crossing-over mumbo jumbo	0
947	virtually unwatchable	0
948	its premise is smart , but	1
949	was amused and entertained by the unfolding of bielinsky 's cleverly constructed scenario , and greatly impressed by the skill of the actors involved in the enterprise .	1
950	who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent	0
951	light-hearted	1
952	heavy with flabby rolls of typical toback machinations .	0
953	to show us a good time	1
954	pitiful , slapdash disaster .	0
955	is one of the year 's best	1
956	even witty	1
957	a fierce dance	1
958	crippled	0
959	this piece of crap	0
960	... the lady and the duke surprisingly manages never to grow boring ... which proves that rohmer still has a sense of his audience .	1
961	the most wondrous love story in years , it is a great film .	1
962	its story about a young chinese woman , ah na , who has come to new york city to replace past tragedy with the american dream	1
963	particularly impressive	1
964	in the process comes out looking like something wholly original	1
965	submerging	1
966	nearly as fresh or enjoyable	1
967	miserable and smug	0
968	my great pleasure	1
969	it all unfolds predictably , and the adventures that happen along the way seem repetitive and designed to fill time , providing no real sense of suspense .	0
970	fascinating , dark thriller	1
971	more of the same from taiwanese auteur tsai ming-liang , which is good news to anyone who 's fallen under the sweet , melancholy spell of this unique director 's previous films .	1
972	down the reality drain	0
973	the only way to tolerate this insipid , brutally clueless film might be with a large dose of painkillers .	0
974	a historic scandal	0
975	that 's steeped in mystery and a ravishing , baroque beauty	1
976	cool stuff packed into espn 's ultimate x.	1
977	idea ( of middle-aged romance ) is not handled well and , except for the fine star performances	0
978	their lamentations are pretty much self-centered	0
979	a pretty decent kid-pleasing ,	1
980	of classic romantic comedy to which it aspires	1
981	, bigelow demonstrates a breadth of vision and an attention to detail that propels her into the upper echelons of the directing world .	1
982	is the refreshingly unhibited enthusiasm that the people , in spite of clearly evident poverty and hardship , bring to their music	1
983	would n't have taken the protagonists a full hour to determine that in order to kill a zombie you must shoot it in the head	0
984	give a pretty good overall picture of the situation in laramie following the murder of matthew shepard	1
985	the fine line between cheese and earnestness remarkably well	1
986	a documentary fails to live up to -- or offer any new insight into -- its chosen topic	0
987	serious movie-goers embarking upon this journey	1
988	insistent and repetitive	0
989	nausea	0
990	of survival wrapped in the heart-pounding suspense of a stylish psychological thriller	1
991	no art	0
992	seems to exist only for its climactic setpiece	0
993	more silly than scary	0
994	's funny .	1
995	its execution and skill	1
996	's coherent , well shot , and tartly	1
997	you wish you were at home watching that movie instead of in the theater watching this one	0
998	's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance	0
999	underdeveloped	0
1000	the jokes are flat	0
1001	a heartening tale of small victories	1
1002	suspense , intriguing characters and bizarre bank robberies ,	1
1003	a gritty police thriller with all the dysfunctional family dynamics one could wish for	1
1004	with a wonderful ensemble cast of characters that bring the routine day to day struggles of the working class to life	1
1005	nonetheless appreciates the art and reveals a music scene that transcends culture and race .	1
1006	do we really need the tiger beat version ?	0
1007	the disadvantage of also looking cheap	0
1008	churn out one mediocre movie after another	0
1009	once folks started hanging out at the barbershop , they never wanted to leave .	1
1010	this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian .	0
1011	cheapo animation ( like saturday morning tv in the '60s ) , a complex sword-and-sorcery plot and characters who all have big round eyes and japanese names	0
1012	sexual and romantic	1
1013	what begins brightly	1
1014	then just fell apart	0
1015	despite its dry wit and compassion , the film suffers from a philosophical emptiness and maddeningly sedate pacing .	0
1016	every top-notch british actor	1
1017	is awful .	0
1018	a deft sense of humor about itself , a playful spirit and a game cast	1
1019	will nevertheless find moving	1
1020	great	1
1021	like `` horrible '' and `` terrible	0
1022	provide an intense experience	1
1023	is off-putting	0
1024	gets bogged down over 140 minutes .	0
1025	, this nicholas nickleby finds itself in reduced circumstances -- and , also like its hero , it remains brightly optimistic , coming through in the end .	1
1026	a pack of dogs who are smarter than him	0
1027	this is a very funny , heartwarming film .	1
1028	with such provocative material	1
1029	this film biggest problem ?	0
1030	with all the dysfunctional family dynamics one could wish for	1
1031	stylish and	1
1032	it 's lost the politics and the social observation and become just another situation romance about a couple of saps stuck in an inarticulate screenplay .	0
1033	measured against practically any like-themed film other than its oscar-sweeping franchise predecessor	1
1034	are the uneven performances by the cast members , who seem bound and determined to duplicate bela lugosi 's now-cliched vampire accent	0
1035	it plainly has no business going	0
1036	a larger-than-life figure ,	1
1037	is truly gorgeous to behold	1
1038	devos and cassel have tremendous chemistry --	1
1039	the most affecting depictions of a love affair	1
1040	stereotypical caretakers	0
1041	be surprised at the variety of tones in spielberg 's work	1
1042	made eddie murphy a movie star and the man has n't aged a day .	1
1043	yet permits laughter	1
1044	marked by acute writing and a host of splendid performances .	1
1045	some serious suspense	1
1046	waster '	0
1047	an eerily suspenseful , deeply absorbing piece that works as a treatise on spirituality as well as a solid sci-fi thriller	1
1048	salton sea surprisingly engrossing	1
1049	no place for this story to go but down	0
1050	can open the door to liberation .	1
1051	are credited with the cliché-laden screenplay	0
1052	another best of the year selection .	1
1053	flat ,	0
1054	exceptional lead performances	1
1055	positive impression	1
1056	much of what 's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand	0
1057	that heralds something special	1
1058	muddled , simplistic and more than a little pretentious .	0
1059	dreamy	1
1060	the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination	1
1061	the qualities	1
1062	than losers	0
1063	comedy that takes an astonishingly condescending attitude toward women	0
1064	flashy , overlong soap	0
1065	get the impression that writer and director burr steers knows the territory	1
1066	's good to see michael caine whipping out the dirty words and punching people in the stomach again .	1
1067	sweetheart	1
1068	by no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act	0
1069	it still works .	1
1070	some writer dude , i think his name was , uh , michael zaidan , was supposed to have like written the screenplay or something , but , dude	1
1071	a well paced and satisfying little drama	1
1072	begin to tell you how tedious , how resolutely unamusing , how thoroughly unrewarding all of this is , and what a reckless squandering of four fine acting talents	0
1073	loves	1
1074	, dopey old	0
1075	because it was so endlessly , grotesquely , inventive	1
1076	wrenching performances	1
1077	kids , spirit	1
1078	the star who helped give a spark to `` chasing amy '' and `` changing lanes '' falls flat as thinking man cia agent jack ryan in this summer 's new action film , `` the sum of all fears	0
1079	escapes the precious trappings of most romantic comedies , infusing into the story very real	1
1080	trouble every day is a success in some sense , but it 's hard to like a film so cold and dead	0
1081	quickly becomes a tiresome cliché	0
1082	unlike so many other hollywood movies of its ilk	1
1083	a perceptive , good-natured movie	1
1084	keep the movie slaloming through its hackneyed elements with enjoyable ease	1
1085	be completely forgettable	0
1086	it 's nice to see piscopo again after all these years	1
1087	low-brow humor , gratuitous violence	0
1088	the best of a growing strain of daring films	1
1089	gripping portrait	1
1090	it 's actually watchable	1
1091	an ebullient tunisian film about the startling transformation of a tradition-bound widow who is drawn into the exotic world of belly dancing .	1
1092	a bland animated sequel	0
1093	his films	1
1094	a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and	0
1095	festival	1
1096	trouble every day is a plodding mess .	0
1097	to be consumed and forgotten	0
1098	, the screenplay by billy ray and terry george leaves something to be desired .	0
1099	its one-sidedness	0
1100	, thought-provoking film	1
1101	uneven film	0
1102	is n't heated properly , so that it ends up	0
1103	takes off in totally unexpected directions and	1
1104	tried as a war criminal	0
1105	is a genre-curling crime story that revives the free-wheeling noir spirit of old french cinema .	1
1106	can only point the way -- but thank goodness for this signpost	1
1107	to make such a worthless film	0
1108	a celebrated wonder in the spotlight	1
1109	devoid of any of the qualities that made the first film so special .	0
1110	a technically superb film ,	1
1111	a waterlogged version of ` fatal attraction ' for the teeny-bopper set ...	0
1112	to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in	1
1113	what a reckless squandering	0
1114	assured , glossy and shot through with brittle desperation	1
1115	off-beat and fanciful	1
1116	its exquisite acting , inventive screenplay , mesmerizing music , and	1
1117	like one long , meandering sketch inspired by the works of john waters and todd solondz , rather than a fully developed story	0
1118	by the ensemble cast , the flat dialogue by vincent r. nebrida or the gutless direction by laurice guillen	0
1119	time-consuming	0
1120	charlotte sometimes is a gem .	1
1121	is n't nearly surprising or clever enough to sustain a reasonable degree of suspense on its own	0
1122	so skeeved out that they 'd need a shower	1
1123	can outgag any of those young whippersnappers making moving pictures today	1
1124	a little too ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon wedding serves mostly to whet one 's appetite for the bollywood films .	0
1125	epic treatment of a nationwide blight	1
1126	fresh-faced	1
1127	the profoundly devastating events of one year ago and the slow , painful healing process that has followed in their wake	0
1128	mr. nelson has made a film that is an undeniably worthy and devastating experience .	1
1129	the film 's desire to be liked sometimes undermines the possibility for an exploration of the thornier aspects of the nature/nurture argument in regards to homosexuality .	0
1130	worth a recommendation	1
1131	bigger	1
1132	our best achievements and other times	1
1133	sandra bullock and hugh grant make a great team ,	1
1134	everything 's serious , poetic , earnest and -- sadly -- dull .	0
1135	in private	1
1136	has a caffeinated , sloppy brilliance , sparkling with ideas you wish had been developed with more care , but	1
1137	of anti-semitism ever seen on screen	0
1138	ends with a story that is so far-fetched it would be impossible to believe if it were n't true	0
1139	makes the banger sisters a fascinating character study with laughs to spare	1
1140	invigorating about	1
1141	's mildly entertaining ,	1
1142	it 's about family	1
1143	life and love	1
1144	questionable	0
1145	a twist	1
1146	with leonine power	1
1147	quiet , patient and tenacious as mr. lopez himself	1
1148	gaps in their relationships	0
1149	we 've seen the hippie-turned-yuppie plot before , but	0
1150	it 's supposed to be a romantic comedy - it suffers from too much norma rae and not enough pretty woman .	0
1151	badly edited	0
1152	run out of clever ideas and visual gags about halfway through	0
1153	i am baffled by jason x.	0
1154	to set and shoot a movie at the cannes film festival	1
1155	a smoother , more focused	1
1156	is not first-rate	0
1157	are relegated to the background -- a welcome step forward from the sally jesse raphael atmosphere of films like philadelphia and american beauty .	1
1158	zealand coming-of-age movie	1
1159	dramatize life 's messiness from inside out , in all its strange quirks	1
1160	p.t. anderson understands the grandness of romance and how love is the great equalizer that can calm us of our daily ills and bring out joys in our lives that we never knew were possible	1
1161	rises above superficiality .	1
1162	a sort of geriatric dirty harry , which will please eastwood 's loyal fans -- and suits the story , wherein our hero must ride roughshod over incompetent cops to get his man	1
1163	comes across as a fairly weak retooling .	0
1164	masterful british actor ian holm	1
1165	the hearts and minds	1
1166	conventional -- lots of boring talking heads , etc. -- to do the subject matter justice	0
1167	deemed important enough to make a film in which someone has to be hired to portray richard dawson	1
1168	blab	0
1169	is standard crime drama fare ... instantly forgettable and thoroughly dull .	0
1170	-- that you should never forget	1
1171	has little to do with the story , which becomes something about how lame it is to try and evade your responsibilities and that you should never , ever , leave a large dog alone with a toddler	0
1172	more than ably	1
1173	and a terrible story	0
1174	's that painful	0
1175	is a monumental achievement	1
1176	a zippy 96 minutes of mediocre special effects , hoary dialogue , fluxing accents , and -- worst of all -- silly-looking morlocks .	0
1177	comedic writing	1
1178	humorous and touching .	1
1179	of logic and misuse of two fine actors , morgan freeman and ashley judd	0
1180	it 's easy to love robin tunney	1
1181	i like that smith , he 's not making fun of these people , he 's not laughing at them .	1
1182	a guilty-pleasure , daytime-drama sort	1
1183	, the grey zone attempts to be grandiloquent , but ends up merely pretentious -- in a grisly sort of way .	0
1184	what little atmosphere is generated by the shadowy lighting , macabre sets , and endless rain is offset by the sheer ugliness of everything else .	0
1185	more graceful way	1
1186	an uninspired preachy and clichéd war film .	0
1187	will turn out	1
1188	it 's the worst movie i 've seen this summer	0
1189	perfect material	1
1190	one of the most frantic , virulent and foul-natured christmas season pics ever delivered by a hollywood studio	0
1191	( seagal 's ) strenuous attempt at a change in expression	0
1192	gooding is the energetic frontman , and it 's hard to resist his enthusiasm , even if the filmmakers come up with nothing original in the way of slapstick sequences .	1
1193	promisingly but disintegrates into a dreary , humorless soap opera .	0
1194	offbeat humor , amusing characters , and a happy ending	1
1195	in a grisly sort of way	0
1196	nothing going for it other than its exploitive array of obligatory cheap	0
1197	more frustrating	0
1198	lacks both a purpose and a strong pulse	0
1199	there are laughs aplenty , and	1
1200	lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings	1
1201	of sleaziness	0
1202	this too-long , spoofy update	0
1203	shoddy male hip hop fantasy	0
1204	, cynical	0
1205	like puppies with broken legs	0
1206	that should attract upscale audiences hungry for quality and a nostalgic , twisty yarn that will keep them guessing	1
1207	knock back a beer with but they 're simply not funny performers	0
1208	excited about on this dvd	1
1209	just is n't as weird as it ought to be .	0
1210	should have a stirring time at this beautifully drawn movie	1
1211	as the remarkable ensemble cast brings them to life	1
1212	many of the things that made the first one charming	1
1213	as if by cattle prod	0
1214	struggling	0
1215	beautiful paean	1
1216	entertaining and , ultimately , more perceptive	1
1217	all about the benjamins evokes the bottom tier of blaxploitation flicks from the 1970s .	0
1218	begins like a docu-drama but builds its multi-character story with a flourish .	1
1219	dickens ' wonderfully sprawling soap opera , the better	1
1220	dreadfulness	0
1221	it 's not very interesting .	0
1222	the film is , arguably , the most accomplished work to date from hong kong 's versatile stanley kwan .	1
1223	a treatise on spirituality as well as a solid sci-fi thriller	1
1224	out	0
1225	it does n't take a rocket scientist to figure out that this is a mormon family movie , and a sappy , preachy one at that .	0
1226	an all-around good time at the movies	1
1227	humor in i spy is so anemic .	0
1228	the by now intolerable morbidity	0
1229	touched by the film 's conviction	1
1230	a spoof comedy	1
1231	it would fit chan like a $ 99 bargain-basement special .	0
1232	seem tired and ,	0
1233	one of the saddest action hero performances ever witnessed	0
1234	pointed , often tender , examination	1
1235	touching reflection	1
1236	a smartly directed , grown-up film	1
1237	help overcome the problematic script .	0
1238	show-stoppingly hilarious , but scathingly witty	1
1239	this fascinating portrait of a modern lothario	1
1240	put together a bold biographical fantasia	1
1241	slow and ponderous , but rohmer 's drama builds to an intense indoor drama about compassion , sacrifice , and christian love in the face of political corruption .	1
1242	as underwater ghost stories go , below casts its spooky net out into the atlantic ocean and spits it back , grizzled and charred , somewhere northwest of the bermuda triangle .	0
1243	drowned me	0
1244	a movie character more unattractive or odorous ( than leon )	0
1245	haneke 's script ( from elfriede jelinek 's novel ) is contrived , unmotivated , and psychologically unpersuasive , with an inconclusive ending .	0
1246	though the film is well-intentioned , one could rent the original and get the same love story and parable .	1
1247	, scoob and shag do n't eat enough during the film . '	0
1248	a screwed-up man	0
1249	rumblings	0
1250	an incredibly thoughtful , deeply meditative picture	1
1251	sharp comedy , old-fashioned monster movie atmospherics , and genuine heart	1
1252	lightweight filmmaking	0
1253	and satirical touches	1
1254	is depressing , ruthlessly pained and depraved , the movie equivalent of staring into an open wound .	0
1255	a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood	1
1256	hackneyed concepts	0
1257	a heartbreakingly thoughtful minor classic , the work of a genuine and singular artist .	1
1258	remarkably fuddled about motives and context , which drains it of the dramatic substance that would shake us in our boots ( or cinema seats )	0
1259	a powerful sequel and one of the best films of the year .	1
1260	as well-written as sexy beast , not as gloriously flippant as lock , stock and two smoking barrels , but stylish and moody and	1
1261	wickedly undramatic	0
1262	a legendary professor	1
1263	is magnetic as graham	1
1264	has a bracing truth that 's refreshing after the phoniness of female-bonding pictures like divine secrets of the ya-ya sisterhood .	1
1265	deserves a place of honor next to nanook as a landmark in film history .	1
1266	to watch too many barney videos	1
1267	be able to look away for a second	1
1268	heartfelt performances	1
1269	a legacy	1
1270	an evil , monstrous lunatic	0
1271	smoky and inviting	1
1272	the wisdom and humor	1
1273	saw the potential success inherent in the mixture of bullock bubble and hugh goo	1
1274	excruciatingly tedious	0
1275	beyond redemption	0
1276	the intoxicating fumes and emotional ghosts of a freshly painted rembrandt	1
1277	sleep-inducing	0
1278	coen brothers	1
1279	never rises above mediocrity	0
1280	no doubt intended the film to affirm love 's power to help people endure almost unimaginable horror	1
1281	well , it probably wo n't have you swinging from the trees hooting it 's praises , but it 's definitely worth taking a look .	1
1282	farts	0
1283	a wonderful tale of love and destiny	1
1284	the fourth `` pokemon '' is a diverting -- if predictable -- adventure suitable for a matinee , with a message that cautions children about disturbing the world 's delicate ecological balance .	1
1285	've seen the hippie-turned-yuppie plot before	0
1286	patchy combination of soap opera , low-tech magic realism and , at times , ploddingly sociological commentary .	0
1287	hackneyed and meanspirited	0
1288	makes a meal of it	1
1289	the film does n't have enough innovation or pizazz to attract teenagers , and	0
1290	mckay seems embarrassed by his own invention and tries to rush through the intermediary passages , apparently hoping that the audience will not notice the glaring triteness of the plot device he has put in service .	0
1291	the unacceptable	0
1292	violent , vulgar and forgettably entertaining .	0
1293	shockingly bad	0
1294	run of the mill	0
1295	is n't a very	0
1296	most amazing super-sized dosage	1
1297	is cruel , misanthropic stuff with only weak claims to surrealism and black comedy .	0
1298	spies	0
1299	4ever has the same sledgehammer appeal as pokemon videos ,	0
1300	laugh-a-minute crowd pleaser	1
1301	the opulent lushness	1
1302	( allen ) manages to breathe life into this somewhat tired premise .	1
1303	the writing and direction to the soggy performances	0
1304	went back	1
1305	unfunny	0
1306	good film	1
1307	a simplistic narrative and	1
1308	plodding , peevish and gimmicky .	0
1309	finely written	1
1310	attentive	1
1311	a canny crowd pleaser ,	1
1312	real and amusing	1
1313	a dependable concept	1
1314	straight from the saturday morning cartoons	0
1315	least	0
1316	very light	1
1317	thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except	0
1318	dying a slow death	0
1319	some good material in their story about a retail clerk wanting more out of life	1
1320	lack contrast , are murky and are frequently too dark to be decipherable .	0
1321	under the skin of a man we only know as an evil , monstrous lunatic	0
1322	transporting is that it 's also one of the smartest	1
1323	reminiscent of gong li and a vivid personality	1
1324	to convince almost everyone that it was put on the screen , just for them	1
1325	downright intoxicating	1
1326	with ` bowling for columbine , ' michael moore gives us the perfect starting point for a national conversation about guns , violence , and fear .	1
1327	especially the pseudo-educational stuff we all ca n't stand	0
1328	vaporize from your memory minutes	0
1329	energetic	1
1330	's the inimitable diaz , holding it all together .	1
1331	decrepit	0
1332	two guys yelling in your face for two hours	0
1333	bloody beauty as vivid	1
1334	cold , sterile and lacking any color or warmth	0
1335	is not handled well	0
1336	long and eventful	1
1337	, after only three films , director/co-writer jacques audiard , though little known in this country , belongs in the very top rank of french filmmakers	1
1338	suffocating	0
1339	has considerable charm	1
1340	for its extraordinary intelligence and originality	1
1341	stink	0
1342	good-bad that makes eight legged freaks a perfectly entertaining summer diversion	1
1343	the milieu is wholly unconvincing ... and the histrionics reach a truly annoying pitch	0
1344	kids will love its fantasy and adventure	1
1345	( or role , or edit , or score , or anything , really	0
1346	, to my great pleasure ,	1
1347	one of the most entertaining bonds in years	1
1348	in a standard plot	0
1349	the moral shrapnel and mental shellshock will linger long after this film has ended .	1
1350	been written so well , that even a simple `` goddammit	1
1351	b movies	0
1352	to address his own world war ii experience in his signature style	1
1353	from others in its genre in that it is does not rely on dumb gags , anatomical humor , or character cliches	1
1354	draws on an elegant visual sense and a talent	1
1355	be one of those movies barely registering a blip on the radar screen of 2002	0
1356	for pretentious arts majors	0
1357	see a movie with its heart	1
1358	reek of a script	0
1359	bottom tier	0
1360	delivers a powerful commentary on how governments lie , no matter who runs them	1
1361	an admirable reconstruction of terrible events	1
1362	's a tribute to the actress , and to her inventive director	1
1363	as john ritter 's glory days	1
1364	fights a good fight	1
1365	is god	1
1366	floating narrative	1
1367	stand in future years as an eloquent memorial to the world trade center tragedy	1
1368	a screenplay that forces them into bizarre , implausible behavior	0
1369	of this dog of a movie	0
1370	too bad kramer could n't make a guest appearance to liven things up .	0
1371	plays like a bad blend of an overripe episode of tv 's dawson 's creek and a recycled and dumbed-down version of love story .	0
1372	yet depressing film	0
1373	does pack some serious suspense .	1
1374	descends into such message-mongering moralism	0
1375	gripping humanity	1
1376	fall fast asleep	0
1377	virtually no aftertaste	0
1378	inane and unimaginative	0
1379	's no surprise that as a director washington demands and receives excellent performances ,	1
1380	bound	1
1381	self-absorbed	0
1382	see the forest for the trees	1
1383	's a feel-good movie about which you can actually feel good	1
1384	intolerable company	0
1385	talky , artificial and opaque	0
1386	for one splendidly cast pair	1
1387	underneath such a mountain of clichés and borrowed images	0
1388	falsehoods pile up , undermining the movie 's reality and stifling its creator 's comic voice .	0
1389	convincing as this bland blank of a man with unimaginable demons	0
1390	are ... impeccable throughout .	1
1391	driven by a fantastic dual performance from ian holm ... the film is funny , insightfully human and a delightful lark for history buffs	1
1392	horror/action hybrid	1
1393	of the finest films of the year	1
1394	lives up to the stories and faces and music of the men who are its subject .	1
1395	that at the very least has a spark of life to it -- more than you can say for plenty of movies that flow through the hollywood pipeline without a hitch	1
1396	director paul cox 's unorthodox , abstract approach to visualizing nijinsky 's diaries is both stimulating and demanding .	1
1397	is too long with too little going on	0
1398	much needed	1
1399	jones and snipes are enthralling	1
1400	that this is a serious work by an important director who has something new to say about how , in the flip-flop of courtship , we often reel in when we should be playing out	1
1401	participation	1
1402	you can smell the grease on the plot	0
1403	such master screenwriting comes courtesy of john pogue , the yale grad who previously gave us `` the skulls '' and	1
1404	human impulses that grew hideously twisted	0
1405	still fun and enjoyable	1
1406	this is a movie filled with unlikable , spiteful idiots ; whether or not their friendship is salvaged	0
1407	a completely spooky piece of business that gets under your skin and , some plot blips aside ,	1
1408	often overwritten	0
1409	to please audiences who like movies that demand four hankies	1
1410	nearly impossible	0
1411	down-to-earth bullock	1
1412	is an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism .	1
1413	proves once again he has n't lost his touch , bringing off a superb performance in an admittedly middling film	1
1414	one-hour mark	1
1415	the first bond movie in ages that is n't fake fun	1
1416	not constant bloodshed	1
1417	offers no new insight on the matter	0
1418	you can take the grandkids or the grandparents and never worry about anyone being bored	1
1419	overwhelmingly	1
1420	spanning nearly three decades of bittersweet camaraderie and history , in which we feel that we truly know what makes holly and marina tick	1
1421	tastelessness and gall	0
1422	bad action-movie line	0
1423	grows	1
1424	as it does because ( the leads ) are such a companionable couple	1
1425	contrived , unmotivated , and psychologically unpersuasive	0
1426	the film is way too full of itself ; it 's stuffy and pretentious in a give-me-an-oscar kind of way	0
1427	any true emotional connection or identification frustratingly	0
1428	caliber	1
1429	balanced film	1
1430	of run-of-the-mill profanity	0
1431	feel like three hours .	0
1432	excites the imagination and tickles the funny bone	1
1433	is built on a potentially interesting idea	1
1434	is confusing on one level or another , making ararat far more demanding than it needs to be	0
1435	laughably	0
1436	been kind enough to share it	1
1437	of bland hotels , highways , parking lots	0
1438	with a large dose of painkillers	0
1439	liked a lot of the smaller scenes	1
1440	wastes	0
1441	continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to compromise his vision .	1
1442	, mind-numbingly , indescribably bad	0
1443	there 's real visual charge to the filmmaking ,	1
1444	a river of sadness that pours into every frame	1
1445	menacing	0
1446	incessantly	0
1447	bears about as much resemblance to the experiences of most battered women as spider-man does to the experiences of most teenagers .	0
1448	that you 've spent the past 20 minutes looking at your watch	0
1449	at existing photos	1
1450	helmer hudlin tries to make a hip comedy ,	0
1451	as funny nor	0
1452	gangs excels in spectacle and pacing .	1
1453	we want the funk - and this movie 's got it	1
1454	creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries .	1
1455	devos and cassel have tremendous chemistry -- their sexual and romantic tension , while never really vocalized , is palpable .	1
1456	lacks balance	0
1457	hard pressed to succumb to the call of the wild	0
1458	revelatory nor truly edgy -- merely crassly flamboyant and comedically labored .	0
1459	tv	1
1460	an entertaining british hybrid of comedy , caper thrills and quirky romance .	1
1461	demonstrating vividly	1
1462	it 's sweet and fluffy at the time ,	1
1463	marks an encouraging new direction for la salle .	1
1464	a powerful , inflammatory film	1
1465	favor of tradition and warmth	1
1466	begins on a high note and	1
1467	has much to recommend it	1
1468	a vibrant , colorful , semimusical rendition	1
1469	a simple tale	1
1470	despicable characters	0
1471	` it 's like having an old friend for dinner ' .	1
1472	, director chris columbus takes a hat-in-hand approach to rowling that stifles creativity and allows the film to drag on for nearly three hours .	0
1473	this amiable picture	1
1474	that keeps dickens evergreen : the exuberant openness with which he expresses our most basic emotions	1
1475	a markedly inactive film	0
1476	saves this deeply affecting film	1
1477	cold , nervy and memorable	1
1478	exercise in sham actor workshops and an affected malaise	0
1479	the gratuitous cinematic distractions	0
1480	manages to nail the spirit-crushing ennui of denuded urban living without giving in to it .	1
1481	the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic	1
1482	insanely hilarious	1
1483	does n't work because there is no foundation for it	0
1484	surprise us	1
1485	relative modesty	1
1486	coppola , along with his sister , sofia , is a real filmmaker	1
1487	remove spider-man the movie from its red herring surroundings and it 's apparent that this is one summer film that satisfies .	1
1488	, if good-hearted , movie .	1
1489	makes even elizabeth hurley seem graceless and ugly .	0
1490	inhale this gutter romancer 's secondhand material	0
1491	no pastry is violated	1
1492	is very difficult	0
1493	i 'll buy the soundtrack .	1
1494	hardly an objective documentary , but it 's great cinematic polemic	1
1495	is virtually without context -- journalistic or historical	0
1496	to the genre and another first-rate performance	1
1497	an adventurous young talent	1
1498	predictable in the reassuring manner of a beautifully sung holiday carol	1
1499	intricate plot	1
1500	, this movie is a phlegmatic bore , so tedious it makes the silly spy vs. spy film the sum of all fears , starring ben affleck , seem downright hitchcockian .	0
1501	to it -- as if the director is trying to dupe the viewer into taking it all as very important simply because the movie is ugly to look at and not a hollywood product	0
1502	will strike some westerners as verging on mumbo-jumbo	0
1503	as i laughed throughout the movie	1
1504	impossibly contrived situations	0
1505	fails to fulfill its own ambitious goals	0
1506	a moral tale with a twisted sense of humor	1
1507	is the best ` old neighborhood ' project	1
1508	others will find their humor-seeking dollars best spent elsewhere .	0
1509	make italian for beginners worth the journey	1
1510	most good-hearted	1
1511	a chilling tale of one of the great crimes of 20th century france	1
1512	a competent , unpretentious entertainment destined to fill the after-school slot at shopping mall theaters across the country .	1
1513	poignant and funny	1
1514	thanks to a small star with big heart	1
1515	impersonal and abstract	0
1516	it 's a glorious spectacle like those d.w. griffith made in the early days of silent film .	1
1517	-- the real issues tucked between the silly and crude storyline	0
1518	if you 're a fan of the series you 'll love it and probably want to see it twice .	1
1519	it misses a major opportunity to be truly revelatory about his psyche .	0
1520	the nonstop artifice ultimately proves tiresome , with the surface histrionics failing to compensate for the paper-thin characterizations and facile situations .	0
1521	too many chefs fussing over too weak a recipe	0
1522	accents so good	1
1523	a classy , sprightly spin on film	1
1524	an original	1
1525	a thing that already knows it 's won	1
1526	as punching bags	1
1527	nothing to sneeze at these days	1
1528	ms. paltrow employs to authenticate her british persona	0
1529	good-natured	1
1530	star to play second fiddle to the dull effects that allow the suit to come to life	0
1531	's both degrading and strangely liberating to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen	1
1532	brought to life on the big screen	1
1533	an entertaining movie	1
1534	is a very funny , heartwarming film .	1
1535	more than a widget cranked out on an assembly line to see if stupid americans will get a kick out of goofy brits with cute accents performing ages-old slapstick and unfunny tricks	0
1536	encounter in a place where war has savaged the lives and liberties of the poor and the dispossessed .	0
1537	that gets under your skin	1
1538	be half as entertaining as it is	1
1539	turn out to be a bit of a cheat in the end	0
1540	a rote exercise in both animation and storytelling .	0
1541	a rollicking adventure for you	1
1542	that even its target audience talked all the way through it	0
1543	prickly indie comedy	0
1544	halfway through this picture i was beginning to hate it , and , of course	0
1545	ethics	1
1546	that rare animal known as ' a perfect family film	1
1547	other feel-good fiascos like antwone fisher or the emperor 's club any time	1
1548	and crude film	0
1549	could n't find stardom if mapquest emailed him point-to-point driving directions .	0
1550	with real world events	1
1551	it is depressing , ruthlessly pained and depraved , the movie equivalent of staring into an open wound .	0
1552	mcgrath has deftly trimmed dickens ' wonderfully sprawling soap opera , the better to focus on the hero 's odyssey from cowering poverty to courage and happiness .	1
1553	sanctimonious , self-righteous and	0
1554	it 's got all the familiar bruckheimer elements , and schumacher does probably as good a job as anyone at bringing off the hopkins/rock collision of acting styles and onscreen personas	1
1555	acceptable , occasionally very enjoyable	1
1556	one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original	0
1557	the spy kids franchise establishes itself as a durable part of the movie landscape : a james bond series for kids .	1
1558	is why anybody picked it up .	0
1559	vibrantly colored and beautifully designed , metropolis is a feast for the eyes .	1
1560	like some sort of martha stewart decorating program run amok	0
1561	seems to have been ` it 's just a kids ' flick	0
1562	that takes itself all too seriously	0
1563	with a deft sense of humor about itself , a playful spirit and a game cast	1
1564	has a dashing and resourceful hero ; a lisping , reptilian villain ; big fights ; big hair ; lavish period scenery ; and a story just complicated enough to let you bask in your own cleverness as you figure it out .	1
1565	even slightly wised-up kids would quickly change the channel	0
1566	through their consistently sensitive and often exciting treatment of an ignored people	1
1567	the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , but also acknowledging the places , and the people , from whence you came .	1
1568	's remarkable procession of sweeping pictures that have reinvigorated the romance genre	1
1569	the piano teacher is not an easy film .	0
1570	manages the rare trick of seeming at once both refreshingly different and reassuringly familiar	1
1571	daft by half ... but supremely good natured	1
1572	much power	1
1573	of carnage	0
1574	this picture	1
1575	increasingly diverse french director	1
1576	muddled , simplistic and more than a little pretentious	0
1577	features nonsensical and laughable plotting	0
1578	served by the movie 's sophomoric blend of shenanigans and slapstick	0
1579	's plenty to offend everyone	0
1580	reduces the complexities to bromides and slogans	0
1581	save their children	1
1582	that 's old-fashioned in all the best possible ways	1
1583	surprisingly touching	1
1584	come along that turns me into that annoying specimen of humanity that i usually dread encountering the most - the fanboy	1
1585	worked five years ago but has since lost its fizz	0
1586	's one of the worst of the entire franchise .	0
1587	, the rest of us will be lulled into a coma .	0
1588	an obvious rapport with her actors	1
1589	a cinematic disaster so inadvertently sidesplitting it 's worth the price of admission for the ridicule factor alone .	0
1590	existential exploration	1
1591	road movie , coming-of-age story and political satire	1
1592	commercialism all in the same movie ... without neglecting character development for even one minute	1
1593	may not be cutting-edge indie filmmaking	0
1594	inspire anything more than a visit to mcdonald 's , let alone	0
1595	both shrill and soporific , and because everything	0
1596	sinister	0
1597	than a modem that disconnects every 10 seconds	0
1598	aground	0
1599	amazing	1
1600	have an opportunity to triumphantly sermonize	1
1601	for that comes through all too painfully in the execution	0
1602	open-ended questions	1
1603	like brosnan 's performance	1
1604	counting a few gross-out comedies i 've been trying to forget	0
1605	sense is a movie that deserves recommendation	1
1606	the road	1
1607	phrase ` life affirming '	1
1608	an airless , prepackaged julia roberts wannabe	0
1609	little more than a well-mounted history lesson .	0
1610	to the film 's music	1
1611	and dog lovers	1
1612	moving tale	1
1613	no surprises	0
1614	crawls along	0
1615	sure mainstream audiences will be baffled	0
1616	begins to resemble the shapeless , grasping actors ' workshop that it is .	0
1617	oddly humorous to tediously sentimental	1
1618	grabs you in the dark and shakes you vigorously for its duration .	1
1619	lonely	0
1620	it 's the type of film about growing up that we do n't see often enough these days : realistic , urgent	1
1621	there is a certain sense of experimentation and improvisation to this film that may not always work , but	0
1622	has been	1
1623	, cry and realize ,	0
1624	does its best to work us over , with second helpings of love , romance , tragedy , false dawns , real dawns , comic relief , two separate crises during marriage ceremonies , and the lush scenery of the cotswolds .	1
1625	told well by a master	1
1626	from a ploddingly melodramatic structure	0
1627	a show forged in still-raw emotions	1
1628	to seem as long as the two year affair which is its subject	0
1629	of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original	0
1630	captivates	1
1631	much of the cast is stiff or just plain bad .	0
1632	drag along the dead ( water ) weight of the other	0
1633	you could fit all of pootie tang in between its punchlines	0
1634	the filling	1
1635	it 's mildly interesting to ponder the peculiar american style of justice that plays out here , but	1
1636	angelina jolie 's surprising flair for self-deprecating comedy	1
1637	queasy-stomached	0
1638	the ` ick ' in ` classic	0
1639	very choppy and monosyllabic	0
1640	psychedelic devices , special effects and backgrounds ,	1
1641	fails so fundamentally on every conventional level that it achieves some kind of goofy grandeur	0
1642	a film really has to be exceptional to justify a three hour running time , and	1
1643	welcome with audiences	1
1644	everything in maid in manhattan is exceedingly pleasant , designed not to offend .	1
1645	the gorgeous locales and exceptional lead performances	1
1646	startling story	1
1647	do with imagination	1
1648	rage	0
1649	dumplings	1
1650	more interesting -- and , dare i say ,	1
1651	exactly assured in its execution	1
1652	'll keep watching the skies for his next project	1
1653	as tiresome as 9	0
1654	plot , characters ,	1
1655	does not work	0
1656	that prevents them from firing on all cylinders	0
1657	seem self-consciously poetic and	1
1658	back to a time when movies had more to do with imagination than market research .	1
1659	has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy	1
1660	authentic account of a historical event that 's far too tragic to merit such superficial treatment	0
1661	satisfying	1
1662	revolutionary spirit	1
1663	a crowd-pleaser , but then ,	1
1664	anemic ,	0
1665	a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place	1
1666	spielberg 's first real masterpiece	1
1667	the plot ( other than its one good idea ) and the movie 's inescapable air of sleaziness	0
1668	the obstacles of a predictable outcome and a screenplay that glosses over rafael 's evolution	0
1669	is a confusing melange of tones and styles , one moment a romantic trifle and the next a turgid drama .	0
1670	while peppering the pages with memorable zingers	1
1671	falls short on tension , eloquence , spiritual challenge -- things that have made the original new testament stories so compelling for 20 centuries .	0
1672	, truths emerge .	1
1673	those words	1
1674	the film has a terrific look and salma hayek has a feel for the character at all stages of her life .	1
1675	by cliches , painful improbability and murky points	0
1676	generous , inspiring film	1
1677	tossed off	0
1678	this shocking testament to anti-semitism and neo-fascism	0
1679	of more appealing holiday-season product	1
1680	sloppy , made-for-movie comedy special	0
1681	a thoughtful and unflinching examination of an alternative lifestyle	1
1682	like a giant commercial for universal studios , where much of the action takes place	0
1683	dialogue and sharp	1
1684	the stunt work is top-notch ; the dialogue and drama often food-spittingly funny .	1
1685	graduated	1
1686	nohe 's documentary about the event is sympathetic without being gullible	1
1687	enriched	1
1688	to take an entirely stale concept and push it through the audience 's meat grinder one more time	0
1689	a pretty decent kid-pleasing	1
1690	unrecoverable	0
1691	that manages to invest real humor	1
1692	articulate , grown-up voice	1
1693	commercialism all in the same movie	0
1694	nifty	1
1695	's an exhilarating place to visit , this laboratory of laughter .	1
1696	a thoughtful movie , a movie that is concerned with souls and risk and schemes and the consequences of one 's actions .	1
1697	some delightful work on indie projects	1
1698	making up for any flaws that come later	1
1699	terrific effort	1
1700	the courage to go over the top and movies that do n't care about being stupid	1
1701	xmas	1
1702	, it does give exposure to some talented performers	1
1703	a cheap scam	0
1704	once one experiences mr. haneke 's own sadistic tendencies toward his audience , one is left with a sour taste in one 's mouth , and little else .	0
1705	does all of this , and more , while remaining one of the most savagely hilarious social critics this side of jonathan swift .	1
1706	falling into the hollywood trap and making a vanity project with nothing new to offer	0
1707	paints a grand picture of an era and	1
1708	of a balanced film that explains the zeitgeist that is the x games	1
1709	the film runs on a little longer than it needs to -- muccino either does n't notice when his story ends or just ca n't tear himself away from the characters --	0
1710	it is a likable story , told with competence .	1
1711	originality is sorely lacking .	0
1712	especially because half past dead is like the rock on a wal-mart budget	0
1713	the emotional overload of female angst irreparably drags the film down .	0
1714	balanced by a rich visual clarity and deeply	1
1715	along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes	1
1716	no-nonsense authority	1
1717	idiocy	0
1718	moviegoers for real characters and compelling plots	1
1719	, visually graceful	1
1720	sappiness	0
1721	the picture uses humor and a heartfelt conviction to tell a story about discovering your destination in life , but also acknowledging the places , and the people , from whence you came	1
1722	loose	0
1723	looking and stylish	1
1724	the three leads produce adequate performances , but	1
1725	drug abuse , infidelity and death are n't usually comedy fare , but turpin 's film allows us to chuckle through the angst	1
1726	a beautiful film to watch	1
1727	writer-director david jacobson	1
1728	's on saturday morning tv especially the pseudo-educational stuff we all ca n't stand	0
1729	neither romantic nor comedic	0
1730	the movie dawdle	0
1731	with fewer deliberate laughs , more inadvertent ones and stunningly trite songs	0
1732	good-natured and sometimes quite funny	1
1733	a complete waste of time	0
1734	largely devoid	0
1735	to cheesier to cheesiest	0
1736	piece , a model of menacing atmosphere	1
1737	of last summer 's bloated effects	0
1738	a low-budget series on a uhf channel	0
1739	satisfyingly scarifying , fresh and old-fashioned at the same time .	1
1740	proved too difficult a text to ` lick , ' despite the efforts of a first-rate cast	0
1741	use a few good laughs	1
1742	someone made off with your wallet	0
1743	's a smartly directed , grown-up film of ideas .	1
1744	dodge this one	0
1745	this low-rent -- and even lower-wit -- rip-off of the farrelly brothers ' oeuvre	0
1746	played game of absurd plot twists , idiotic court maneuvers and stupid characters that even freeman ca n't save it .	0
1747	this does not really make the case the kissinger should be tried as a war criminal .	0
1748	benefit enormously from the cockettes ' camera craziness	1
1749	in its sparkling beauty	1
1750	`` brown sugar '' admirably aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film .	1
1751	features one of the most affecting depictions of a love affair ever committed to film .	1
1752	( gulpilil ) is a commanding screen presence	1
1753	lively	1
1754	it seem fresh again	1
1755	tends to pile too many `` serious issues '' on its plate at times , yet	0
1756	good guys and	1
1757	the movie is silly beyond comprehension , and	0
1758	the dialogue and drama often food-spittingly funny	1
1759	clumsily staged violence overshadows everything , including most of the actors .	0
1760	cannibal lust above the ordinary	1
1761	spinning a web of dazzling entertainment may be overstating it	1
1762	will remind them that hong kong action cinema is still alive and kicking .	1
1763	feels secondhand , familiar -- and not in a good way	0
1764	spectacularly	1
1765	construct a story with even a trace of dramatic interest	0
1766	conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt	1
1767	to break the tedium	0
1768	the ridiculousness	0
1769	well-done film	1
1770	's not that funny	0
1771	inhuman cinematic punishment	0
1772	of its epic scope	1
1773	pretends to be passionate and truthful but is really frustratingly timid and soggy	0
1774	of heartfelt performances	1
1775	fans of gosford park have come to assume is just another day of brit cinema	0
1776	poetic road movie	1
1777	play like a milquetoast movie of the week blown up for the big screen	0
1778	there 's nothing like love to give a movie a b-12 shot , and cq shimmers with it .	1
1779	you 've figured out late marriage	1
1780	one of those rare films that come by once in a while with flawless amounts of acting , direction , story and pace .	1
1781	teddy bears ' picnic ranks	1
1782	dismissed heroes would be a film that is n't this painfully forced , false and fabricated	0
1783	right place	1
1784	oddly sweet	1
1785	a recycled and dumbed-down version of love story	0
1786	pacino and williams seem to keep upping the ante on each other , just as their characters do in the film .	1
1787	so second-rate	0
1788	an old-fashioned but emotionally stirring adventure tale of the kind they	1
1789	a frustrating patchwork : an uneasy marriage of louis begley 's source novel ( about schmidt ) and an old payne screenplay	0
1790	engaging characters	1
1791	, twisted , brilliant and macabre	1
1792	a heavy-handed indictment of parental failings and the indifference of spanish social workers and legal system towards child abuse	0
1793	tootsie knockoff .	0
1794	need movies like tim mccann 's revolution no. 9 .	1
1795	britney spears ' phoniness is nothing compared to the movie 's contrived , lame screenplay and listless direction .	0
1796	unfortunately , that 's precisely what arthur dong 's family fundamentals does .	0
1797	than what 's been cobbled together onscreen	0
1798	deftly captures the wise-beyond-her-years teen	1
1799	a wild comedy that could only spring from the demented mind	1
1800	expresses our most basic emotions	1
1801	for the most part , the weight of water comes off as a two-way time-switching myopic mystery that stalls in its lackluster gear of emotional blandness .	0
1802	huge gap	0
1803	a very moving and revelatory footnote	1
1804	a non-mystery mystery .	0
1805	fascinating -- and timely -- content	1
1806	loneliness and the chilly anonymity of the environments where so many of us spend so much of our time	0
1807	a smart and funny , albeit sometimes superficial , cautionary tale of a technology in search of an artist	1
1808	gut-clutching piece	1
1809	becomes just another voyeuristic spectacle , to be consumed and forgotten .	0
1810	subjugate truth	1
1811	the shallow sensationalism characteristic of soap opera	0
1812	with the lazy material and the finished product 's unshapely look	0
1813	to remember	1
1814	is a real filmmaker	1
1815	a great film noir	1
1816	this film , which is often preachy and poorly acted	0
1817	disappointing in comparison to other recent war movies	0
1818	is that it does n't make any sense	0
1819	a talky bore	0
1820	bristles with passion and energy	1
1821	a successful career	1
1822	is a genial romance that maintains a surprisingly buoyant tone throughout , notwithstanding some of the writers ' sporadic dips into pop freudianism .	1
1823	as brave and challenging	1
1824	above pat inspirational status	1
1825	beautifully filmed	1
1826	moving , and adventurous	1
1827	somewhat cumbersome	0
1828	place and personal identity	1
1829	with plenty of entertainment value	1
1830	a dazzling dream of a documentary	1
1831	* corpus and its amiable jerking	0
1832	serious subject matter and dark , funny humor	1
1833	is unusual , food-for-thought cinema that 's as entertaining as it is instructive	1
1834	bland murder-on-campus	0
1835	tear your eyes away	0
1836	the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes	0
1837	dickens ' words	1
1838	satisfying destination	1
1839	arguably the best script that besson has written in years .	1
1840	its rough-around-the-edges , low-budget constraints	0
1841	many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , and	0
1842	fun one	1
1843	to no particularly memorable effect	0
1844	ignoring what the filmmakers clearly believe	0
1845	highly predictable narrative	0
1846	translating complex characters from novels to the big screen is an impossible task but they are true to the essence of what it is to be ya-ya	1
1847	, you realize there 's no place for this story to go but down	0
1848	none-too-original	0
1849	romp that has something to say .	1
1850	zone '' episode	1
1851	a stultifyingly obvious one	0
1852	, you 'll like promises .	1
1853	it 's kind of sad that so many people put so much time and energy into this turkey .	0
1854	turntablism	1
1855	is well worth seeing	1
1856	the strain is all too evident	0
1857	unlike	0
1858	upon which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming	0
1859	bother if you 're going to subjugate truth to the tear-jerking demands of soap opera	0
1860	documented the cruelty and suffering he has found with an devastating , eloquent clarity	1
1861	with which it tries to pump life into overworked elements from eastwood 's dirty harry period	0
1862	painful and	0
1863	dismiss -- moody	0
1864	sorry use of aaliyah in her one and only starring role	0
1865	the fetid underbelly of fame	0
1866	, i would go back and choose to skip it .	0
1867	worked	1
1868	expected	0
1869	anybody who enjoys quirky , fun , popcorn movies with a touch of silliness and a little	1
1870	of war-torn croatia	0
1871	terrific as nadia , a russian mail-order bride who comes to america speaking not a word of english	1
1872	director randall wallace 's flag-waving war flick with a core of decency	1
1873	humor , warmth , and	1
1874	that few will bother thinking it all through	0
1875	want my money back .	0
1876	dong never pushes for insights beyond the superficial tensions of the dynamic he 's dissecting	0
1877	are of the highest and the performances attractive without being memorable .	1
1878	that holds interest in the midst of a mushy , existential exploration of why men leave their families	1
1879	is off .	0
1880	eyre is on his way to becoming the american indian spike lee .	1
1881	incessant	0
1882	when all is said and done , she loves them to pieces -- and so , i trust , will you .	1
1883	talk to her is not the perfect movie many have made it out to be	0
1884	witless and utterly pointless .	0
1885	aims to be funny , uplifting and moving , sometimes	1
1886	loose , poorly structured	0
1887	of good-natured fun found in films like tremors	1
1888	examine , the interior lives of the characters in his film , much less	0
1889	is one of those rare docs that paints a grand picture of an era and makes the journey feel like a party	1
1890	just does n't add up .	0
1891	a powerful and telling story	1
1892	that freshly considers arguments the bard 's immortal plays	1
1893	pomposity	0
1894	the cast delivers without sham the raw-nerved story .	1
1895	a winning family story	1
1896	never catches fire	0
1897	much of it comes from the brave , uninhibited performances by its lead actors .	1
1898	missing from the girls ' big-screen blowout	1
1899	from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly hunter , yet newcomer ellen pompeo pulls off the feat with aplomb	1
1900	the paradiso 's rusted-out ruin and ultimate collapse during the film 's final ( restored ) third ...	0
1901	much fun	1
1902	in recompense : a few early laughs scattered around a plot	1
1903	of a poetic	1
1904	the most entertaining moments here are unintentional .	1
1905	great director	1
1906	and , thanks to the presence of ` the king , ' it also rocks .	1
1907	his martial artistry	1
1908	a little-remembered world	1
1909	an authentic feel	1
1910	`` sweet home alabama '' is what it is -- a nice , harmless date film ...	1
1911	all of dean 's mannerisms and self-indulgence , but none of his sweetness and vulnerability	0
1912	not quite as miraculous as its dreamworks makers would have you believe , but it more than adequately fills the eyes and stirs the emotions	1
1913	the smarter offerings	1
1914	as the long-faced sad sack	0
1915	all the more poignant by the incessant use of cell phones	0
1916	playful but highly studied and dependent for its success on a patient viewer	1
1917	director m. night shyamalan can weave an eerie spell	1
1918	negativity	0
1919	does a great combination act as narrator , jewish grandmother and subject --	1
1920	brian tufano 's handsome widescreen photography and paul grabowsky 's excellent music	1
1921	's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present	0
1922	steven spielberg has dreamed up such blatant and sickening product placement in a movie .	0
1923	and it 's not that funny -- which is just generally insulting .	0
1924	jostling against farce , thoughtful dialogue elbowed aside by one-liners , and a visual style that incorporates rotoscope animation for no apparent reason except ,	0
1925	a late-inning twist that just does n't make sense	0
1926	is without doubt an artist of uncompromising vision , but that vision is beginning to feel , if not morally bankrupt , at least terribly monotonous	0
1927	to shine through the gloomy film noir veil	0
1928	of the year 's most enjoyable releases	1
1929	a bittersweet drama about the limbo of grief and how truth-telling can open the door to liberation .	1
1930	a delightful , if minor , pastry	1
1931	the latest gimmick from this unimaginative comedian	0
1932	the film lacks momentum and its position remains mostly undeterminable	0
1933	vulgar , sexist , racist humor	0
1934	offbeat humor	1
1935	finds warmth in the coldest environment and makes each crumb of emotional comfort	1
1936	viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies	1
1937	in the director 's cut , the film is not only a love song to the movies but it also is more fully an example of the kind of lush , all-enveloping movie experience it rhapsodizes .	1
1938	enough to give you brain strain	0
1939	this bad	0
1940	in sham actor workshops and an affected malaise	0
1941	ca n't remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops	0
1942	downplays the raunch in favor of gags that rely on the strength of their own cleverness as opposed to the extent of their outrageousness	1
1943	a couple hours of summertime	1
1944	to confident filmmaking and a pair of fascinating performances	1
1945	pleasingly	1
1946	a complete mess	0
1947	so perfect	1
1948	's impossible to care	0
1949	cutting hollywood satire	1
1950	directors abandon their scripts and go where the moment takes them	1
1951	this wretchedly unfunny wannabe comedy is inane and awful -	0
1952	terms of the low-grade cheese standards on which it operates	0
1953	sometimes improbable story	0
1954	sitting open too long	0
1955	the fact that the film idiotically uses the website feardotcom.com or the improperly hammy performance from poor stephen rea	0
1956	a peculiar malaise	0
1957	a step further , richer and	1
1958	freshman	1
1959	welles groupie/scholar peter bogdanovich took a long time to do it , but he 's finally provided his own broadside at publishing giant william randolph hearst	1
1960	an actress	1
1961	its cheesy screenplay	0
1962	a tricky tightrope between being wickedly funny and just plain wicked	1
1963	never really busts out of its comfy little cell	0
1964	is hollow , self-indulgent , and - worst of all - boring	0
1965	sustain the buoyant energy level of the film 's city beginnings	1
1966	are tops	1
1967	a pointed , often tender , examination of the pros and cons of unconditional	1
1968	create and sustain a mood	1
1969	as a real movie	1
1970	of seeing justice served	1
1971	entertaining enough , but nothing new	0
1972	leaden and	0
1973	that most every aggrieved father cliché has been unturned	0
1974	americans to finally revel in its splendor	1
1975	delicious pulpiness	1
1976	notwithstanding some of the writers ' sporadic dips	0
1977	it 's better than one might expect when you look at the list of movies starring ice-t in a major role .	1
1978	ellen pompeo sitting next to you for the ride	1
1979	a ` girls gone wild ' video for the boho art-house crowd , the burning sensation is n't a definitive counter-cultural document	0
1980	useful in telling the story , which is paper-thin and decidedly unoriginal	0
1981	is its utter sincerity	1
1982	the ticket you need	1
1983	the kind of ` laugh therapy '	1
1984	passes for sex in the movies look like cheap hysterics	0
1985	of his character	1
1986	enough to give the film the substance it so desperately needs	0
1987	blue hilarity	1
1988	a laughable -- or rather	0
1989	but unless you 're an absolute raving star wars junkie , it is n't much fun .	0
1990	burdened by the actor	0
1991	sympathy and intelligence	1
1992	the best script	1
1993	astonishing voice cast	1
1994	an unchanged dullard	0
1995	is right at home in this french shocker playing his usual bad boy weirdo role	1
1996	has warmth , wit and interesting characters compassionately portrayed .	1
1997	when there 's nothing else happening	0
1998	on cable	0
1999	it with ring ,	1
2000	far from a groundbreaking endeavor	0
2001	that these women are spectacular	1
2002	it can seem tiresomely simpleminded .	0
2003	revelled in the entertaining shallows	1
2004	good music documentary	1
2005	wewannour money back , actually .	0
2006	makes up for it with a pleasing verisimilitude	1
2007	animation back 30 years , musicals back 40 years and	0
2008	mysterious , sensual , emotionally intense , and replete	1
2009	a good-hearted ensemble comedy with a variety of quirky characters and an engaging story	1
2010	can take credit for most of the movie 's success .	1
2011	still , the updated dickensian sensibility of writer craig bartlett 's story is appealing .	1
2012	a satisfying well-made romantic comedy	1
2013	crammed with scenes and vistas and pretty moments	1
2014	impressive performances	1
2015	a great one	1
2016	proves unrelentingly grim -- and equally engrossing .	1
2017	of cerebral and cinemantic flair	1
2018	oodles of charm	1
2019	one whose view of america , history and the awkwardness of human life is generous and deep	1
2020	in xxx , diesel is that rare creature -- an action hero with table manners , and one who proves that elegance is more than tattoo deep .	1
2021	exactly endearing	1
2022	churns up not one but two flagrantly fake thunderstorms to underscore the action	0
2023	constantly flows forwards and back , weaving themes among three strands which allow us to view events as if through a prism	1
2024	kline 's ) utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code	1
2025	delivers a magnetic performance .	1
2026	a sumptuous work	1
2027	are innocent , childlike and inherently funny	1
2028	're stuck with a script that prevents them from firing on all cylinders	0
2029	likeable thanks to its cast , its cuisine and its quirky tunes	1
2030	of ` black culture ' and the dorkier aspects	0
2031	the crap	0
2032	consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted rembrandt	1
2033	sodden and glum	0
2034	frequently hilarious	1
2035	because panic room is interested in nothing more than sucking you in ... and making you sweat	1
2036	i did n't laugh .	0
2037	glued	1
2038	it has its faults	0
2039	nice twists	1
2040	were already tired	0
2041	rooting for the film	1
2042	dumb , sweet , and intermittently hilarious	1
2043	refreshingly forthright one	1
2044	does somehow manage to get you under its spell	1
2045	salient points	1
2046	cruel story	0
2047	defuses this provocative theme by submerging it in a hoary love triangle .	1
2048	pretentious mess	0
2049	campanella 's competent direction and his excellent cast overcome the obstacles of a predictable outcome and a screenplay that glosses over rafael 's evolution .	1
2050	ca n't accuse kung pow for misfiring , since it is exactly what it wants to be : an atrociously , mind-numbingly , indescribably bad movie	0
2051	derivative , overlong , and bombastic	0
2052	the high infidelity	0
2053	admirable energy , full-bodied characterizations and narrative urgency	1
2054	a culture-clash comedy that , in addition to being very funny ,	1
2055	, and yet at the end	1
2056	actually means to face your fears	1
2057	not a word of english	0
2058	well-intentioned	1
2059	wickedly sick and twisted humor	1
2060	african american professionals	1
2061	tipped this film into the `` a '' range , as is	1
2062	of those reputedly `` unfilmable '' novels that has bucked the odds to emerge as an exquisite motion picture in its own right	1
2063	emotionally and narratively complex	1
2064	consider it ` perfection . '	1
2065	, structure and rhythms	1
2066	just too silly and	0
2067	impressive and yet lacking about everything	0
2068	starving and untalented	0
2069	gets clunky on the screen	0
2070	has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' , and feels more like lyne 's stolid remake of `` lolita '' .	0
2071	personality	1
2072	to bleed it almost completely dry of humor , verve and fun	0
2073	fails to rise above its disgusting source material	0
2074	jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway	1
2075	an intriguing look at the french film industry during the german occupation ; its most delightful moments come when various characters express their quirky inner selves	1
2076	so many distracting special effects and visual party tricks	0
2077	disappoints	0
2078	a time machine , a journey back to your childhood , when cares melted away in the dark theater , and films had the ability to mesmerize , astonish and entertain .	1
2079	difficult for the audience	0
2080	utterly misplaced	0
2081	a spirited film	1
2082	the makers of this ` we 're - doing-it-for - the-cash ' sequel were	0
2083	awakening and ripening	1
2084	is rote work and predictable , but with a philosophical visual coming right at the end that extravagantly redeems it	1
2085	complex	1
2086	been conjured up only 10 minutes prior to filming	0
2087	bears a grievous but obscure complaint against fathers ,	0
2088	is an insultingly inept and artificial examination of grief and its impacts upon the relationships of the survivors	0
2089	were watching monkeys flinging their feces at you .	0
2090	a visually flashy but narratively opaque and emotionally vapid exercise in style and mystification .	0
2091	` blade ii ' just does n't cut it	0
2092	seem like they were lifted from terry gilliam 's subconscious , pressed through kafka 's meat grinder and into buñuel 's casings	0
2093	) taste for `` shock humor '' will wear thin on all	0
2094	soul-stirring documentary	1
2095	a matter of plumbing arrangements and mind games , of no erotic or sensuous charge	0
2096	uncanny ability to right itself precisely when you think it 's in danger of going wrong	1
2097	an appealing couple --	1
2098	juwanna mann	1
2099	that 's conspicuously missing from the girls ' big-screen blowout	0
2100	an extended , open-ended poem	1
2101	and self-conscious seams	0
2102	the weird thing	0
2103	the filmmaker 's extraordinary access to massoud , whose charm , cultivation and devotion to his people are readily apparent	1
2104	damn funny stuff	1
2105	, the film ( at 80 minutes ) is actually quite entertaining .	1
2106	despite its visual virtuosity , ` naqoyqatsi ' is banal in its message and the choice of material to convey it .	0
2107	so low in a poorly	0
2108	is unconvincing soap opera that tornatore was right to cut	0
2109	we do n't get paid enough to sit through crap like this .	0
2110	this version is raised a few notches above kiddie fantasy pablum by allen 's astringent wit .	1
2111	godfrey reggio 's career shines like a lonely beacon .	1
2112	because it overstays its natural running time	0
2113	are clinically depressed and have abandoned their slim hopes and dreams	0
2114	, compelling story	1
2115	turns fanciful , grisly and engagingly quixotic .	1
2116	a finale that is impenetrable and dull	0
2117	a text to ` lick ,	0
2118	like an extended dialogue exercise in retard 101	0
2119	introducing an intriguing and alluring premise	1
2120	charm , cultivation and devotion	1
2121	as though you rode the zipper after eating a corn dog and an extra-large cotton candy	0
2122	feels like three hours	0
2123	very well-written	1
2124	parents beware ; this is downright movie penance	0
2125	very choppy and monosyllabic despite the fact	0
2126	potential success	1
2127	pale xerox of other , better crime movies	0
2128	reflective and beautifully	1
2129	leaving the theater with a smile on your face	1
2130	is blazingly alive and admirable on many levels .	1
2131	one baaaaaaaaad movie	0
2132	unfunny	0
2133	we get the comedy we settle for .	0
2134	hoary	0
2135	be ( assayas ' ) homage to the gallic ` tradition of quality ,	1
2136	'll be as bored watching morvern callar as the characters are in it	0
2137	, as blood work proves , that was a long , long time ago .	0
2138	an american	1
2139	an unimaginative screenwriter 's	0
2140	i liked the original short story but this movie , even at an hour and twenty-some minutes	0
2141	even when it drags , we are forced to reflect that its visual imagination is breathtaking	1
2142	stylishly	1
2143	a mess as this one	0
2144	essentially ruined -- or , rather ,	0
2145	a work of extraordinary journalism , but it is also a work of deft and subtle poetry	1
2146	a promise nor a threat so much as wishful thinking	0
2147	fessenden has nurtured his metaphors at the expense of his narrative ,	0
2148	... a hokey piece of nonsense that tries too hard to be emotional .	0
2149	the rope snaps	0
2150	the tuxedo miscalculates badly by forcing the star to play second fiddle to the dull effects that allow the suit to come to life .	0
2151	fanciful drama	1
2152	that delivers on the promise of excitement	1
2153	deeply moving french drama	1
2154	big-hearted and	1
2155	, longley 's film lacks balance ... and fails to put the struggle into meaningful historical context .	0
2156	sad ending	0
2157	tsai has a well-deserved reputation as one of the cinema world 's great visual stylists , and in this film , every shot enhances the excellent performances .	1
2158	adorable italian guys	1
2159	critical	0
2160	no doubt the star and everyone else involved had their hearts in the right place .	1
2161	with exquisite craftsmanship	1
2162	here is how so many talented people were convinced to waste their time	0
2163	tens	1
2164	maybe you 'll be lucky , and there 'll be a power outage during your screening so you can get your money back .	0
2165	what they 're doing is a matter of plumbing arrangements and mind games , of no erotic or sensuous charge .	0
2166	... silly humbuggery ...	0
2167	may prove to be ( tsai 's ) masterpiece	1
2168	typed ` chris rock , ' ` anthony hopkins ' and ` terrorists ' into some univac-like script machine	0
2169	might just be the movie you 're looking for	1
2170	an affection	1
2171	love to come from an american director in years	1
2172	most resonant film since the killer .	1
2173	works out	1
2174	in the name of an allegedly inspiring and easily marketable flick , the emperor 's club turns a blind eye to the very history it pretends to teach .	0
2175	the widowmaker is derivative , overlong , and bombastic -- yet surprisingly entertaining .	1
2176	, ash wednesday is essentially devoid of interesting characters or even a halfway intriguing plot .	0
2177	is great	1
2178	spirit 's visual imagination reminds you of why animation is such a perfect medium for children , because of the way it allows the mind to enter and accept another world .	1
2179	judging by those standards , ` scratch ' is a pretty decent little documentary .	1
2180	engaging , surprisingly touching british comedy	1
2181	, energy and geniality to please not only the fanatical adherents on either side , but also people who know nothing about the subject and think they 're not interested .	1
2182	confident filmmaking and a pair of fascinating performances	1
2183	avoid the ghetto of sentimental chick-flicks by treating female follies with a satirical style	0
2184	in one scene , we get a stab at soccer hooliganism , a double-barreled rip-off of quentin tarantino 's climactic shootout -- and meat loaf explodes .	0
2185	a sugar-coated rocky whose valuable messages are forgotten 10 minutes after the last trombone honks .	0
2186	death , especially	0
2187	by the dynamic first act	1
2188	fails so fundamentally on every conventional level	0
2189	too daft by half ... but supremely good natured .	1
2190	the worst sin of attributable to a movie like this	0
2191	i have always appreciated a smartly written motion picture , and , whatever flaws igby goes down may possess , it is undeniably that .	1
2192	the film 's plot may be shallow	0
2193	rotten in almost every single facet of production that you 'll want to crawl up your own *** in embarrassment .	0
2194	` epic	1
2195	easy to like	1
2196	steers , in his feature film debut , has created a brilliant motion picture .	1
2197	an inelegant combination of two unrelated shorts that falls far short of the director 's previous work	0
2198	it 's rare to find a film to which the adjective ` gentle ' applies ,	1
2199	a director beginning to resemble someone 's crazy french grandfather	0
2200	`` frailty '' has been written so well , that even a simple `` goddammit ! ''	1
2201	are uncomfortably strained .	0
2202	make the film more silly than scary ,	0
2203	what makes it worth watching	1
2204	has one of the most moronic screenplays of the year , full of holes that will be obvious even to those who are n't looking for them .	0
2205	huge disappointment coming	0
2206	deliver a riveting and surprisingly romantic ride	1
2207	the rest of the cast comes across as stick figures reading lines from a teleprompter .	0
2208	that the typical hollywood disregard for historical truth and realism is at work here	0
2209	you ca n't help but feel ` stoked . '	1
2210	wonderful , imaginative script	1
2211	entirely witless	0
2212	is akin to a reader 's digest condensed version of the source material	0
2213	fun or	1
2214	ponderous to work as shallow entertainment , not remotely incisive enough to qualify as drama , monsoon	0
2215	shows its indie tatters and self-conscious seams in places ,	0
2216	unfolds with all the mounting tension of an expert thriller	1
2217	a film that 's rarely as entertaining as it could have been	0
2218	obscenity	0
2219	stitched together from stock situations and characters from other movies	0
2220	can be viewed as pure composition and form --	1
2221	look at that clever angle !	1
2222	of the best films of the year with its exquisite acting , inventive screenplay , mesmerizing music , and many inimitable scenes	1
2223	the surprisingly somber conclusion	1
2224	not only learning but inventing a remarkable new trick .	1
2225	tepid	0
2226	's something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers .	1
2227	the low-grade cheese standards on which it operates	0
2228	give each other the willies	0
2229	( lee ) treats his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects .	0
2230	is credible and remarkably mature	1
2231	highlighted by a gritty style and an excellent cast , it 's better than one might expect when you look at the list of movies starring ice-t in a major role .	1
2232	of the unsung heroes of 20th century	1
2233	that 's actually sort of amazing	1
2234	that rare movie that works on any number of levels -- as a film of magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults	1
2235	the young stars are too cute ; the story and ensuing complications are too manipulative ; the message is too blatant	0
2236	a streetwise mclaughlin group	1
2237	funny and well-contructed	1
2238	's mired in a shabby script that piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work	0
2239	oversimplification , superficiality and silliness	0
2240	overproduced	0
2241	if it had been only half-an-hour long or a tv special , the humor would have been fast and furious -- at ninety minutes , it drags	0
2242	though he only scratches the surface	0
2243	awash in self-consciously flashy camera effects , droning house music and flat , flat dialogue	0
2244	visual splendor	1
2245	lingering questions about what the film is really getting at	0
2246	an ` action film ' mired in stasis	0
2247	dragon	1
2248	most intense	1
2249	this is a visually stunning rumination on love , memory , history and the war between art and commerce .	1
2250	's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and ultimately comes off as insultingly simplistic .	0
2251	carried out by men of marginal intelligence ,	0
2252	dialogue that cuts to the chase of the modern girl 's dilemma	1
2253	that the plot makes no sense	0
2254	too bad none of it is funny .	0
2255	can seem tiresomely simpleminded .	0
2256	combines improbable melodrama ( gored bullfighters , comatose ballerinas ) with subtly kinky bedside vigils and sensational denouements , and yet at the end	0
2257	twohy 's a good yarn-spinner , and ultimately the story compels	1
2258	well-meant	1
2259	bad need of major acting lessons and maybe a little coffee	0
2260	america 's thirst for violence	0
2261	so horrendously confusing	0
2262	avarice	0
2263	when you 're a struggling nobody	0
2264	talkiness	0
2265	`` ballistic : ecks vs. sever '' seems as safe as a children 's film .	0
2266	ignore the reputation , and ignore the film .	0
2267	manage to be spectacularly outrageous	1
2268	cookie-cutter action scenes	0
2269	of the best since the last waltz	1
2270	to lawrence 's over-indulgent tirade	0
2271	a pale imitation	0
2272	withered	0
2273	pass for a thirteen-year-old 's book report	0
2274	a wind-tunnel and a simply astounding cor-blimey-luv-a-duck cockney accent	1
2275	writing , skewed characters ,	0
2276	to provoke them	1
2277	remarkable skill	1
2278	is the stuff that disney movies are made of .	1
2279	enough sentimental	1
2280	crawl up your own ***	0
2281	there 's not enough intelligence , wit or innovation on the screen to attract and sustain an older crowd .	0
2282	that sends you out of the theater feeling	1
2283	a sun-drenched masterpiece , part parlor game , part psychological case study	1
2284	engaging comedy	1
2285	certainly an entertaining ride , despite many talky , slow scenes	1
2286	strong performances	1
2287	is a smorgasbord of soliloquies about nothing delivered by the former mr. drew barrymore .	0
2288	folds under its own thinness .	0
2289	itself virtually collapses into an inhalant blackout , maintaining consciousness just long enough to achieve callow pretension	0
2290	conceptual feat	1
2291	, sitting through dahmer 's two hours amounts to little more than punishment .	0
2292	genuine rather than pandering	1
2293	randolph	1
2294	great to knock back a beer with but they 're simply not funny performers	0
2295	did i miss something ?	0
2296	a porno flick	0
2297	this is a gorgeous film - vivid with color , music and life .	1
2298	simply by accident	0
2299	nothing special	0
2300	never bothers to question why somebody might devote time to see it	0
2301	this movie 's lack of ideas	0
2302	cynicism	0
2303	take an entirely stale concept and	0
2304	, wit and interesting characters	1
2305	is an all-time low for kevin costner	0
2306	a stylish but steady , and ultimately very satisfying , piece of character-driven storytelling	1
2307	it is an interesting exercise by talented writer/director anderson	1
2308	surprising flair	1
2309	i liked it just enough .	1
2310	an uneasy mix of run-of-the-mill raunchy humor and seemingly sincere personal reflection .	0
2311	a grand fart coming from a director beginning to resemble someone 's crazy french grandfather .	0
2312	some of the back-story is a little tired	0
2313	nothing of the audience other than to sit back and enjoy a couple of great actors hamming it up	1
2314	huppert ... is magnificent	1
2315	puzzle whose pieces do not fit	0
2316	sorority boys , which is as bad at it is cruel ,	0
2317	-- and long -- for its own good	0
2318	of empty , fetishistic violence in which murder is casual and fun	0
2319	intrigue	1
2320	its characters ' decisions only unsatisfactorily	0
2321	is a powerful , naturally dramatic piece of low-budget filmmaking .	1
2322	perhaps it 's cliche to call the film ` refreshing	1
2323	kid-empowerment	1
2324	a fascinating , unnerving examination	1
2325	could as easily have been called ` under siege 3 : in alcatraz ' ... a cinematic corpse that never springs to life .	0
2326	odoriferous thing	0
2327	brilliantly written and well-acted	1
2328	to gravity and plummets	0
2329	it 's a smart , funny look at an arcane area of popular culture , and	1
2330	joy	1
2331	is wickedly fun to watch	1
2332	the imagined glory of their own pasts	0
2333	deft	1
2334	a low-budget affair , tadpole was shot on digital video , and the images often look smeary and blurry , to the point of distraction .	0
2335	does n't have a passion for the material .	0
2336	but that they are doing it is thought-provoking .	1
2337	a climax	1
2338	, scarily funny , sorrowfully sympathetic to the damage it surveys	1
2339	neil burger 's impressive fake documentary	1
2340	in looking at the comic effects of jealousy	1
2341	is tenderly observant of his characters .	1
2342	its dark , delicate treatment	1
2343	has no idea of it is serious	0
2344	brutal and	0
2345	he 's just a sad aristocrat in tattered finery ,	0
2346	it 's excessively quirky and a little underconfident in its delivery , but otherwise this is the best ` old neighborhood ' project since christopher walken kinda romanced cyndi lauper in the opportunists .	1
2347	classify as it is hard to resist	1
2348	, undisputed scores a direct hit .	1
2349	of menacing atmosphere	1
2350	painful , horrifying and oppressively tragic	0
2351	perfect for the proud warrior that still lingers in the souls of these characters	1
2352	in luminous interviews and amazingly evocative film from three decades ago	1
2353	usual bumbling , tongue-tied screen persona	0
2354	easy jokes and insults	0
2355	quitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance .	0
2356	a sincerely crafted picture	1
2357	what might have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising , subtle turn at the midway point .	0
2358	long gone	0
2359	the movie is remarkably dull with only caine making much of an impression .	0
2360	is a visually stunning rumination on love , memory , history and the war between art and commerce	1
2361	an excuse to get to the closing bout ... by which time it 's impossible to care who wins	0
2362	by a script that takes few chances and manages to insult the intelligence of everyone in the audience	0
2363	about how good it all was , and started doing nothing but reacting to it - feeling a part of its grand locations , thinking urgently as the protagonists struggled , feeling at the mercy of its inventiveness , gasping at its visual delights	1
2364	soderbergh , like kubrick before him , may not touch the planet 's skin , but understands the workings of its spirit .	1
2365	spontaneity in its execution	1
2366	feels as immediate as the latest news footage from gaza and , because of its heightened , well-shaped dramas , twice as powerful .	1
2367	spiderman rocks	1
2368	low-brow humor , gratuitous violence and	0
2369	was n't one of the film 's virtues .	0
2370	style adventure that plays like a bad soap opera , with passable performances from everyone in the cast	0
2371	stirs us as well .	1
2372	a non-britney person might survive a screening with little harm done , except maybe for the last 15 minutes , which are as maudlin as any after-school special you can imagine .	0
2373	your 20th outing shows off a lot of stamina and vitality , and get this , madonna 's cameo does n't suck !	1
2374	an uneven film for the most part	0
2375	, the movie sinks into an abyss of clichés , depression and bad alternative music .	0
2376	miracles	1
2377	his storytelling skills have eroded	0
2378	`` shakes the clown '' , a much funnier film with a similar theme	1
2379	, others will find their humor-seeking dollars best spent elsewhere .	0
2380	the film is just a corny examination of a young actress trying to find her way .	0
2381	, madonna is one helluva singer .	1
2382	hoary dialogue , fluxing accents , and	0
2383	will probably find it fascinating	1
2384	good ear	1
2385	undistinguished rhythm	0
2386	have no idea what in creation is going on	0
2387	fascinating but flawed look	1
2388	spend years trying to comprehend it	0
2389	is both a snore and utter tripe	0
2390	to treat its characters , weak and strong , as fallible human beings , not caricatures , and	1
2391	though it goes further than both , anyone who has seen the hunger or cat people will find little new here , but a tasty performance from vincent gallo lifts this tale of cannibal lust above the ordinary .	1
2392	the gloss	1
2393	we hate ( madonna ) within the film 's first five minutes , and she lacks the skill or presence to regain any ground	0
2394	bitter italian comedy	0
2395	banal dialogue	0
2396	of the smarter offerings the horror genre	1
2397	it rarely stoops to cheap manipulation or corny conventions to do it	1
2398	optimism	1
2399	but in terms of its style , the movie is in a class by itself	1
2400	as a tarantula , helga	0
2401	like a high-end john hughes comedy , a kind of elder bueller 's time out	1
2402	been quashed by whatever obscenity is at hand	0
2403	wannabe comedy	0
2404	afraid to provoke introspection in both its characters and its audience	0
2405	the better video-game-based flicks ,	1
2406	little action , almost no suspense or believable tension	0
2407	blasphemous bad	0
2408	woozy quality	0
2409	nothing interesting in unfaithful	0
2410	sheds light	1
2411	work as well as a remarkably faithful one	1
2412	want to watch if you only had a week to live	1
2413	one-dimensional buffoons	0
2414	without a conclusion or pay off	0
2415	is a tired one	0
2416	we 've seen the hippie-turned-yuppie plot before	0
2417	if a big musical number like ` praise the lord , he 's the god of second chances ' does n't put you off	0
2418	terror by suggestion , rather than the overuse of special effects	1
2419	patient and tenacious	1
2420	the most horrific movie experience i 've had since `` ca n't stop the music . ''	0
2421	too obviously	0
2422	watch on video at home	0
2423	the movie is loaded with good intentions	1
2424	for occasional smiles	1
2425	of all ages	1
2426	bland , surfacey way	0
2427	this nicholas nickleby finds itself in reduced circumstances -- and	0
2428	it 's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland .	0
2429	begins with the everyday lives of naval personnel in san diego and ends with scenes so true and heartbreaking that tears welled up in my eyes both times i	1
2430	's fitting that a movie as artificial and soulless as the country bears owes its genesis to an animatronic display at disneyland	0
2431	leave it to john sayles to take on developers , the chamber of commerce , tourism , historical pageants , and commercialism all in the same movie ... without neglecting character development for even one minute	1
2432	frightening war scenes	0
2433	tremendous piece	1
2434	must have been astronomically bad	0
2435	the movie 's fragmentary narrative style makes piecing the story together frustrating difficult	0
2436	goes by quickly	1
2437	and that makes all the difference .	1
2438	the filmmakers found this a remarkable and novel concept	1
2439	at three hours and with very little story or character development , there is plenty of room for editing , and a much shorter cut surely would have resulted in a smoother , more focused narrative without sacrificing any of the cultural intrigue .	0
2440	spotty	0
2441	amid the new populist comedies that underscore the importance of family tradition and familial community , one would be hard-pressed to find a movie with a bigger , fatter heart than barbershop .	1
2442	while the performances are often engaging	1
2443	you 've seen a movie instead of an endless trailer	1
2444	solid filmmaking	1
2445	his outstanding performance	1
2446	's super - violent , super-serious and super-stupid .	0
2447	a gorgeously strange movie , heaven is deeply concerned with morality , but it refuses to spell things out for viewers	1
2448	perfect example	1
2449	elaborate futuristic sets to no particularly memorable effect	0
2450	than an autopsy , the movie	0
2451	exploitative and	0
2452	offering fine acting moments and	1
2453	a wacky , screwball comedy	1
2454	solid , satisfying fare	1
2455	-- a nice , harmless date film	1
2456	overall , it 's a very entertaining , thought-provoking film with a simple message : god is love .	1
2457	of 2-day old coke	0
2458	combines the enigmatic features of ` memento '	1
2459	have all but ruined his career	0
2460	worldly-wise and very funny	1
2461	has you study them	1
2462	get for a buck or so in that greasy little vidgame pit in the theater lobby	0
2463	is n't just offensive	0
2464	pop up in nearly every corner of the country	1
2465	worth yet another visit	1
2466	friendly	1
2467	a deadly bore	0
2468	would go back and choose to skip it	0
2469	bravery	1
2470	an energetic and engaging film that never pretends to be something it is n't .	1
2471	too many clever things	0
2472	a festival film that would have been better off staying on the festival circuit	0
2473	come from seeing former nymphette juliette lewis playing a salt-of-the-earth mommy named minnie and watching slim travel incognito in a ridiculous wig no respectable halloween costume shop would ever try to sell .	0
2474	allowing us to find the small , human moments ,	1
2475	desert	0
2476	spontaneous creativity and authentic co-operative interaction	1
2477	miyazaki has created such a vibrant , colorful world , it 's almost impossible not to be swept away by the sheer beauty of his images .	1
2478	a well-written and occasionally challenging social drama	1
2479	as a thoughtful and unflinching examination of an alternative lifestyle	1
2480	to be liberating	1
2481	the movie wavers between hallmark card sentimentality and goofy , life-affirming moments straight out of a cellular phone commercial .	0
2482	gorgeous color palette	1
2483	starting with spielberg and going right through the ranks of the players -- on-camera and off -- that he brings together	1
2484	, ballistic : ecks vs. sever also features terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters and a rather dull , unimaginative car chase .	0
2485	an older cad instructs a younger lad in zen and the art of getting laid in this prickly indie comedy of manners and misanthropy .	1
2486	a mostly believable , refreshingly low-key and quietly inspirational little sports	1
2487	, still manages at least a decent attempt at meaningful cinema	1
2488	, but i believe a movie can be mindless without being the peak of all things insipid	0
2489	for the rest of us , sitting through dahmer 's two hours amounts to little more than punishment .	0
2490	gaunt , silver-haired and leonine , ( harris ) brings a tragic dimension and savage full-bodied wit and cunning to the aging sandeman .	1
2491	distorts reality for people who make movies and watch them	0
2492	luridly graphic and	0
2493	, clumsily staged violence overshadows everything , including most of the actors .	0
2494	that should be thrown back in the river	0
2495	drab	0
2496	is almost	0
2497	mike white 's deft combination of serious subject matter and dark , funny humor make `` the good girl '' a film worth watching .	1
2498	still fun and enjoyable and so aggressively silly	1
2499	display an original talent	1
2500	but mostly it 's a work that , with humor , warmth , and intelligence , captures a life interestingly lived .	1

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